Showing 51-60 of 331 results
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On her own terms
B Magazine, Chanun Poomsawai, Published on 28/07/2019
» Born and raised in Kuala Lumpur, Malaysia, Yunalis Zara'ai, aka Yuna, has come a long way since her MySpace days and her 2012 Pharrell Williams-produced self-titled debut. While her early materials exist mostly in the dreamy realm of folk-infused indie-pop, her subsequent output has crossed over into the R&B/hip-hop territory in a way that not many pop upstarts could pull off (her third international studio album, Chapters, welcomes guest appearances from some of the biggest names in R&B like Usher and Jhené Aiko).
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Dreaming awake
B Magazine, Chanun Poomsawai, Published on 21/07/2019
» "What's that? (I may be paranoid, but no android)/ What's that? (I may be paranoid, but no android)," Thom Yorke sings on the lead single off Radiohead's third studio album, 1997's OK Computer.
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Setting it off
B Magazine, Chanun Poomsawai, Published on 14/07/2019
» From its humble start lurking in the shadows of J-pop to partially dominating the globe, the unstoppable power of K-pop has been fascinating to witness. Today, in the hazy wake of the Gangnam Style craze, the genre has grown to have its own annual convention, KCON, which is aimed to celebrate South Korean culture at various locations around the world. In North America, K-pop boy bands and girl bands are being received with open arms. Groups like seven-member boyband BTS have even gone so far as to win 2017's Billboard Music Award for Top Social Artist, beating pop royalty like Justin Bieber, Selena Gomez and Ariana Grande.
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Paint it black
B Magazine, Chanun Poomsawai, Published on 07/07/2019
» In the age of social media and the hyper exposure that tends to come with it, keeping a low profile can be something of a Herculean task. And while most artists are trying to capitalise fully on the power of social media, there are also those who shy away from it and focus instead on what they’re meant to be doing: making music and performing. One such band is emerging British four-piece Black Midi who have managed to maintain a low-key online presence while steadily garnering a solid fan base through a series of live gigs.
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From Tuesday to Saturday
B Magazine, Chanun Poomsawai, Published on 30/06/2019
» Who would have thought that a garden-variety verse like "Got the club goin' up, on a Tuesday/ Got your girl in the cut and she choosey" would blow up and inspire countless Vines endless memes? Well, no one really -- except for Canadian rapper Drake who loved it so much he gave it a remix (Club Goin' Up On A Tuesday) complete with his own additional verse. Lauded as 2014's "summertime sleeper hit", the song single-handedly launched Atlanta artist Makonnen Sheran, aka iLoveMakonnen, into the Atlanta rap scene, not to mention earning him a Grammy nomination for Best Rap/Sung Collaboration. For him, Drake's endorsement was indeed a godsend.
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Small things considered
B Magazine, Chanun Poomsawai, Published on 23/06/2019
» In much the same way that eyes are said to be the window to the soul, band names give us a glimpse into the collective personality lurking behind each group. And as far as Thai band names are concerned, they can range from prosaic (Solitude Is Bliss, My Life As Ali Thomas) and whimsical (Apartment Khunpa, Charblues, Gym and Swim) to absolutely outlandish (Big Ass, Calories Blah Blah). For Sakon Nakhon-based trio Junlaholaan, names represent a curious juxtaposition where two incongruous concepts (jun, micro, and holaan, enormous) coexist to convey a deeply philosophical message. Yes, we are but a tiny speck in the universe -- the band seems to be saying -- but at the same time, a butterfly in Brazil could also cause a tornado in Texas, couldn't it?
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Sip on this
B Magazine, Chanun Poomsawai, Published on 16/06/2019
» Born and raised in Spanish Town, just outside Kingston in Jamaica, Mikayla "Koffee" Simpson became known three years ago for her viral video in which she played her acoustic guitar and sang a dedication to Olympic legend Usain Bolt. Now, the 19-year-old newcomer has finally come through with her debut EP, the five-track Rapture helmed by a panel of stellar reggae producers Teflon ZincFence, Lasanna "Ace" Harris, Frankie Music and Walshy Fire.
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With wild abandon
B Magazine, Chanun Poomsawai, Published on 09/06/2019
» Over the course of nearly a decade, we have on more than one occasion gushed about how UK outfit Wild Beasts were top-shelf purveyors of erudite indie-rock. Even though they regrettably called it quits in 2017, they remain one of the very few rock bands who managed to strike an impeccable balance between indie and art-rock. Ranging from baroque to barbaric, their five-album discography charts leftfield territories with strutting confidence. Not many rock bands are able to incorporate geeky literary allusions into their songwriting and still look pretty damn cool doing it.
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Keeping them keen
B Magazine, Chanun Poomsawai, Published on 02/06/2019
» In many ways, the enduring success of UK four-piece Keane is a curious phenomenon. Formed in 1995, the quartet of four rather ordinary-looking white lads from East Sussex rose to rock prominence with their debut album, 2004's Hopes And Fears. Thanks to the strength of radio-friendly singles like Somewhere Only We Know and Everybody's Changing, they were able to contend with a lot of their rock/indie contemporaries who were also just starting out then -- The Killers, Franz Ferdinand, The Futureheads, Razorlight and The Libertines. While some of those bands have lost their steam or even vanished in the aftermath of the indie-rock heyday, it seems that Keane are still alive and well despite the six-year hiatus following 2013's hits compilation, The Best Of Keane.
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From Belize with love
B Magazine, Chanun Poomsawai, Published on 26/05/2019
» Ariel Zetina may be best known as one of Chicago's fiercest DJs (the Mother of the Windy City Club Scene, as some have suitably appointed her), but she's more than meets the eye. Having come from a theatre and poetry background, the American-Belizean artist is well-versed in cutting-edge performance art. In fact, her first foray into music-making was born out of necessity, simply because she couldn't find a piece of music that would fit a show she was working on as part of collaborative performance art group Witch Hazel. After relocating to Chicago some years later, she finally found her place and essentially herself in the city's thriving queer/trans club scene, which provided her with the impetus to fuse house and techno sounds with her own multicultural flavours.
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