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  • LIFE

    Personal scars, political history

    Life, Kaona Pongpipat, Published on 12/10/2016

    » In "Under The Same Sky", the latest exhibition at Nova Contemporary by photographer Tada Hengsapkul and artist Chai Siris, personal history and that of the world entwine. In no way does the show appear to strive at having these narratives untangled.

  • LIFE

    Art to float your boat

    Life, Kaona Pongpipat, Published on 17/08/2016

    » A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.

  • LIFE

    Sense behind the madness

    Life, Kaona Pongpipat, Published on 08/07/2016

    » One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.

  • LIFE

    'A Painter from Bikaner' come to Bangkok

    Life, Kaona Pongpipat, Published on 28/07/2016

    » At Serindia Gallery, all is still and calm until you look closer and everything -- the landscapes, animals and plants -- suddenly comes to life. Magnifying glasses are of course provided. In the exhibition "A Painter From Bikaner", Indian traditional miniature painter Mahaveer Swami presents a selection of his exquisitely detailed works whose subjects range from the mundane daily lives in India, landscapes and animals to tales from mythology.

  • LIFE

    The air of familiarity

    Life, Kaona Pongpipat, Published on 25/02/2015

    » Three artists, three exhibitions, three mediums, one message

  • LIFE

    A monthly column rounding up the best of the capital’s art scene

    Life, Kaona Pongpipat, Published on 19/11/2014

    » At Yet-Space, there was fried chicken which looked like KFC but tasted worse. At Speedy Grandma, the hipsters, as usual, seemed perfectly fine with Asahi draught as their sole sustenance. At Bangkok University Gallery there was food but I wasn't there in time to see what it was. In this month's column, which rounds up the best food served in the capital's art scene, The Jam Factory Gallery was a sure winner.

  • LIFE

    A monthly column rounding up the best of the capital's art scene

    Life, Kaona Pongpipat, Published on 22/10/2014

    » The opening of WTF Gallery's current exhibition "Monday 2 Monday" earlier this month might have been missed by a few. That could partly be explained by the exhibition's title and the fact that the opening was actually on a Friday. In addition, the gallery is closed on Mondays. But this is all beside the point.

  • LIFE

    Exhibition captures killer shots

    Life, Kaona Pongpipat, Published on 19/11/2014

    » At around 7pm on May 13, 2010, Maj Gen Khattiya Sawasdipol, or Seh Daeng (Red Commander), was shot in the head while giving an interview to foreign reporters. Photographer Steve Pace was there and took the key picture. His image of the collapsed and bloodied general being carried away, published in several major newspapers worldwide, is what people still remember about this still-unresolved political assassination.

  • LIFE

    Becoming blissfully aware

    Life, Kaona Pongpipat, Published on 08/05/2015

    » Jenjira Pongpas has no clue what Blissfully Yours, the 2002 Cannes Film Festival's Un Certain Regard prize-winning film by director Apichatpong Weerasethakul, is all about. Not while first reading the script, not while acting it in, not after the film won the prestigious award that heralded Thai art house cinema, and not even today.

  • LIFE

    Picture of a genius

    Life, Kaona Pongpipat, Published on 04/11/2015

    » 'He was nothing else but just a painter," said Pablo Picasso's grandson Olivier Widmaier Picasso. It was only when Picasso died, in 1973, that he started to realise how important his grandfather was, not just to the art scene, but to the world.

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