Showing 11-20 of 908 results
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Pandemonium
Life, Kong Rithdee, Published on 30/09/2022
» The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.
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Is the media to blame?
Life, Tatat Bunnag, Published on 20/12/2021
» Can you separate fantasy from reality? A lot of people know that the media has a desensitising effect on people, especially children and teens. Whether it's movies, music or video games, the effect of viewing violence can lead to aggression. Personally, these stories have never been a direct issue with me. When I was younger I always wondered why people wouldn't be able to tell which story should stay in a movie or in our imagination, and which is reality. However, we still see more and more news of violence and regular crimes, which is a direct consequence of watching movies and various media.
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Death wears a hat
Life, Tatat Bunnag, Published on 17/11/2023
» Those who've been following David Fincher's career for the last 30 years, would know that he's been consistently delivering really slick, stylish genre entertainment. Some may remember him from directing Madonna's music videos back in the early 90s, like Express Yourself and Vogue, or the hit biopic drama The Social Network (2010). But what really set Fincher as one of the most respected filmmakers today was his work oftentimes, in the thriller genre. It's where you really get to see his signature style at play. And along those lines, I'm talking about movies like Seven (1995) Zodiac (2007) Gone Girl (2014) or even some of the best episodes of crime series Mindhunter (2017). Now the director has returned again in the latest Netflix crime thriller The Killer where he reunited with writer Andrew Kevin Walker who penned the screenplay on Seven.
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Spain's cabinet of horror
Life, Published on 30/10/2023
» There are zombies in the building and ghosts of dead Republicans in the hallway. Spanish horror films from the late 1990s up to now are a moody, stylish amalgam of urban creepiness, plain supernatural and a touch of historical terror.
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A mother's instinct
Life, Tatat Bunnag, Published on 10/12/2021
» When we think of abusive relationships, our minds often imagine physical violence leading to black eyes or bruised lips, but in reality, there's much more to it than that. It can also involve mental, emotional, and verbal abuse. If you watch the trailer of the new miniseries Maid, it might look depressing or even a public service announcement about domestic abuse but don't let that scare you away because Maid will get you hooked on its plot in minutes. I spent 10 hours binge-watching in one sitting. Maid is one of those shows that has that effect on you. This drama is powerful, heartbreaking, inspiring, and absolutely one of the best shows on Netflix I've seen all year.
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Inspiration born from tragedy
Life, Suwitcha Chaiyong, Published on 13/01/2021
» Growing up in Yala, I-na Phuyuthanon thought she was used to hearing news of violence in the Deep South, but when her uncle was shot while stepping out to buy ice cream for his children, it changed everything.
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Back to the source
Life, Kong Rithdee, Published on 24/07/2020
» Evil is not banal in Ju-on: Origins, a particularly grisly six-part Netflix series. The J-horror wave that broke at the turn of the millennium may no longer be in vogue, but this supposed origin story of the 2001 Ju-On: The Grudge is probably even more extreme in its depiction of ghostly malice and vengeance. It's scarier too -- if you have a stomach for murder, disembowelment, matricide and self-combustibility -- because here the origin of violence is mostly domestic: the violence committed by father against mother, mother against daughter, husband against wife, friend against friend. It's a series (or you could see it as a three-hour film) about monsters that shows us that monstrosity really is born and raised first and foremost by humans.
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A disappearing river
Life, Suwitcha Chaiyong, Published on 24/03/2021
» Artist Disorn Duangdao is one of the many people who has seen the Mekong River in Chiang Khong, Chiang Rai, change from muddy brown to an aquamarine colour. Although the blue river looks beautiful to tourists, it is actually a sign that the river is starving of vital sediment because dams in China are preventing it from flowing downstream. Another negative impact caused by the dam is that the river has dried up so much that the rocks in the bed can be seen for the first time.
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An R-rated roller-coaster ride
Life, Tatat Bunnag, Published on 19/06/2020
» A dozen strangers suddenly wake up to find themselves in a remote field. They have no idea where they are or how they got there, but the next thing they know they're being hunted down for sport. Judging by its premise or the trailer, the new action/horror film The Hunt could give you an impression of another The Hunger Games or Maze Runner, a survival story mixed with strong political messages. But the film surprisingly delivered a satire, dark humour combined with really well filmed action sequences, plus some of the most likeable performances you'll see in a movie this year.
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Student filmmakers focus on Thai society for 'Voices Of The New Gen'
Life, Thana Boonlert, Published on 11/05/2023
» After screenings in August last year, "Voices Of The New Gen", four short films by university students, are once again revisiting the gamut of social and political issues of 2022 on Netflix.
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