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Showing 11-20 of 51 results

  • LIFE

    Fundamental, Stick Figures win big

    Life, Amitha Amranand, Published on 21/04/2017

    » Theatre artists from 17 productions were nominated this year for the IATC Thailand Dance and Theatre Review, which took place on Tuesday at the Bangkok Art and Culture Centre (BACC). Now in its fifth year, the ceremony is hosted by the International Association of Theatre Critics Thailand Center. The casual and intimate event honours plays, musicals, and movement-based productions by artists residing in Thailand.

  • LIFE

    Dragon's Heart returns

    Life, Amitha Amranand, Published on 26/08/2016

    » Musicals about the lives of Thai defenders of democracy and human rights have come to define director and playwright Pradit Prasartthong's body of work since he founded the Anatta Theatre Troupe in 2012. He's imagined the intimate and personal moments of the late writer Sriburapa, first lady Poonsuk Banomyong and former rector of Thammasat University and Free Thai Movement member Puey Ungphakorn.

  • LIFE

    Passionate, but ultimately superficial

    Life, Amitha Amranand, Published on 21/09/2017

    » There is no shortage of passion and potential in the new Thai-language musical, 21¾, about the dreams and struggles of urbanites in their early 20s.

  • LIFE

    Dance without a safety net

    Life, Amitha Amranand, Published on 09/08/2018

    » Choreographer Thanapol Virulhakul is adamant about creating performances that defy the definition of dance. In his "contemporary dance piece" Hipster The King, performers stand in a tableau for most of the show. In Happy Hunting Ground, the choreography consists mostly of jogging up and down the stage.

  • LIFE

    A slow death

    Life, Amitha Amranand, Published on 03/08/2017

    » When Tassakorn Seepuan staged his adaptation of the Greek film Dogtooth at Take-off Festival 2015, a curated platform that showcases work by new graduates, he impressed with strong choreography and clever handling of taboo political topics.

  • LIFE

    Life's agonies, magnified three-fold

    Life, Amitha Amranand, Published on 24/08/2017

    » Theatre director Bhanbhassa Dhubthien may not be known for novel or subversive interpretations of plays, but she has always worked with good actors, from whom she draws out the kind of nuanced performances we don't often see here in Thailand. She has also worked with texts of varying degrees of difficulty and ripeness. So even when the writing fails, her actors can always steer the production from complete disaster.

  • LIFE

    A dull history lesson

    Life, Amitha Amranand, Published on 24/08/2017

    » Anatta Theatre Troupe's Rak Talerd (Love Astray) is a small play with lots of big messages and an even bigger desire to educate the audience about Field Marshal Plaek Pibulsonggram's regime, from his fascist approach to the modernisation and Westernisation of Thailand to the Franco-Thai War to Siam's alliance with Japan during World War II.

  • LIFE

    Touch, move, interact, open up

    Life, Amitha Amranand, Published on 20/07/2017

    » Even when they're about violence, Dujdao Vadhanapakorn's shows always feel inviting. Perhaps it's because of her therapy background (Dujdao is Thailand's first dance movement psychotherapist) that she likes to create the kind of space -- physical and emotional -- that invites you to touch, move, interact or open up.

  • LIFE

    The historical made personal

    Life, Amitha Amranand, Published on 06/10/2016

    » We don't know where they are -- a man and a woman, he in a white three-piece suit, she in a white wedding gown. Soon we find out that they don't know where they are either. Then we find out who they are, but soon realise they are not sure.

  • LIFE

    Freeform art

    Life, Amitha Amranand, Published on 01/12/2017

    » A decade ago, theatre was still seen an art form on the margin in Thailand. That is less true today. Visual art and design events are beginning to include theatre in their programmes. The new art and design event Freeform Festival has revived an abandoned school building at ACMEN Ekamai Complex with exhibitions, workshops, food trucks, plays and dance. Their performing arts programme is a solid one. Hopefully, this will become another platform for quality theatre in the future.

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