Showing 11-20 of 61 results
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Luang Prabang film fest moves forward
Life, Kong Rithdee, Published on 14/12/2017
» There was the crowd, the spontaneous chaos, and the outdoor screening that has become a hallmark of the Luang Prabang Film Festival. Its eighth edition ending last night, the film festival in a town without cinemas has grown into an annual highlight every December, with its eyes firmly fixed on Southeast Asian titles and an attempt to expand its role and relevance to regional audience and filmmakers.
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Oscar contenders from around the world
Life, Kong Rithdee, Published on 10/11/2017
» A record 92 films have been submitted to the Oscar Foreign Language Film category. We take a look at some
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It's always sunset in our land of exiles
News, Kong Rithdee, Published on 30/09/2017
» Either to Dubai or London, Yingluck Shinawatra has gone West and will likely live the rest of her life in exile. Either in an Emirati villa overlooking the Persian Gulf or a London penthouse by the Thames, she may be contemplating the difference between exile and banishment, or between exile and a holiday, but in the end it doesn't matter: She has fled, and her flight means the old power of Thailand has seen off the element regarded as threat. The ghost has been exorcised, the devil purged -- not once but twice, since there are two Shinawatras -- and now the military will charge ahead on their black horses as they gather us up and gallop us off into sunset (not sunrise).
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Into the Khmer Rouge abyss
Life, Kong Rithdee, Published on 22/09/2017
» It's the kind of project that courts doubt and even disdain from the very logline. Angelina Jolie, the Hollywood A-lister lately known for marital drama, is directing a film in Cambodia about the atrocity of the Khmer Rouge years, based on the memoir of a woman who, as a girl, lived through it all.
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Yingluck gets earful as the play goes on
News, Kong Rithdee, Published on 26/08/2017
» The suspense, then the anticlimax. The adrenaline, then the warrant.
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A new vision on Siam's enduring symbol
Life, Kong Rithdee, Published on 26/04/2017
» The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.
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A trip to Diamond Island
Life, Kong Rithdee, Published on 07/04/2017
» It's a story of Cambodia but also of Southeast Asia: the new rich built on the back of rural labour, young men who leave their homes in the countryside to carry bricks and build real-estate edifices in the capital. The promise of the future is built on the uncertainty of the present.
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Cannes Film Fest opens today
Life, Kong Rithdee, Published on 01/02/2017
» The 69th Cannes Film Festival opens today with Woody Allen's Cafe Society, and the world's most influential film festival will play out its drama until May 22. As the glamour and the art of cinema fill the airwaves, here are some of the talking points worthy of note as more reports from the Croisette will follow over the next 10 days.
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At Cannes, humour makes a surprise visit
Life, Kong Rithdee, Published on 01/02/2017
» Humour is hardly ever associated with Cannes competition films -- to win the Palme d'Or, for example, it's assumed a film should possess art house gravitas, serious humanity, or weighty, topical, discourse-stimulating subject matter (last year's winner, Dheepan, is about immigrants in Paris, and before that, the three-hour-long Turkish drama Winter Sleep).
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Rousing history from its slumber
Life, Kong Rithdee, Published on 06/01/2017
» In the documentary Angkor Awakens, director Robert H. Lieberman condenses the past and present of Cambodia into 90 minutes. From the ruins of Angkor Wat to the Khmer Rouge horror and present-day testimonies, the film highlights the key episodes in the country's cultural and political development. And while the broad sweep may seem a little too broad at times, the film pulls a rabbit out of the hat with its extensive interview with strongman Prime Minister Hun Sen, whose reflections on the state of his country as well as his memory of the Khmer Rouge era become a centrepiece of the story.
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