Showing 1-10 of 24 results
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Women unchained
Life, Ariane Kupferman-Sutthavong, Published on 15/03/2017
» 'It's called 'fair-ly tell'. Not fairy tale." Porntip Mankong asserts, pronouncing one syllable at a time. She says it with an air of someone used to battle against misspellings, and misinterpretations, of her work.
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The heaviness of history, worn lightly
Life, Ariane Kupferman-Sutthavong, Published on 28/02/2018
» Suddenly, Thai traditional costumes have made a quiet comeback -- for at least a month or so.
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Making an artistic splash with a social conscience
Life, Ariane Kupferman-Sutthavong, Published on 29/11/2017
» Kawita Vatanajyankur's video performances, set against candy-coloured backdrops, are both alluring and thought-provoking, as the artist is far more concerned with what's going on inside the candy factory than with bright and shiny wrappings, of the kind that has come to define our modes of consumption. With several major international exhibitions in 2017 -- including a stint at the Venice Art Biennale as part of the Alamak! Pavilion -- Kawita has been busy packing and unpacking, installing her works in locations around the globe.
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All that the eyes cannot see
Life, Ariane Kupferman-Sutthavong, Published on 14/07/2017
» Would you rather be blissfully blind or painfully aware?
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An alternative dimension
Life, Ariane Kupferman-Sutthavong, Published on 09/11/2017
» Entering Chai Siris' exhibition at Gallery VER is in many ways like penetrating a spirit house. Once shuffled through the door, visitors find themselves plunged in semi-obscurity, surrounded by life-size banana trees and landscape views that cover entire walls.
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Shattering political illusions
Life, Ariane Kupferman-Sutthavong, Published on 14/06/2017
» Audiences that entered Tada Hengsapkul's latest Bangkok exhibition expecting nude photographs were in for a surprise.
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Teutonic dreams, re-dreamt
Life, Ariane Kupferman-Sutthavong, Published on 05/04/2017
» There is nothing quite like seeing -- back to back -- two of Pina Bausch's most emblematic works. Audiences are met with double the beauty, and double the intensity, of the late German choreographer's compositions, dreamy and surreal, both emotionally and psychologically raw.
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Finding the face behind the statistics
Life, Ariane Kupferman-Sutthavong, Published on 12/01/2017
» Stories about drug use and addiction in Southeast Asia are a common sight in the media. But while we get the lowdown on raids, crackdowns and statistics, there are rarely human faces behind the figures.
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24 Syrian refugees released on bail
News, Ariane Kupferman-Sutthavong, Published on 09/09/2015
» A group of 24 Syrians, who are recognised by the United Nations as refugees and waiting to be resettled in a third country, were released on bail yesterday after being arrested by police last week in a nationwide crackdown following the deadly Erawan shrine blast on Aug 17.
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Putting the art in artefact
Life, Ariane Kupferman-Sutthavong, Published on 08/08/2018
» What is in an artefact? Evidence of cultural or historical interest is restrained and appears unostentatious in Dusadee Huntrakul's solo exhibition "There Are More Monsoon Songs Elsewhere". Nevertheless, through the superposition of timelines and geographical locations, the imagined rituals, songs and dances of the everyday come to life at 100 Tonson Gallery.
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