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  • News & article

    A note on Thailand Biennale

    Life, Kong Rithdee, Published on 02/01/2019

    » One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.

  • News & article

    Modern-day creature feature

    Life, Kong Rithdee, Published on 02/02/2018

    » An eccentric love story between a woman and an amphibious creature, Guillermo Del Toro's The Shape Of Water has moved ahead to the front-runner spot in the Oscar's Best Picture, racking up the total of 13 nominations including the four acting categories. Del Toro's trick of turning B-movie grotesquerie -- interspecies sex, for instance -- into a darling of cinema bourgeois can still work wonders. And while this sweet and weird story isn't entirely unpredictable -- think mid-century beauty-and-the-beast flicks such as King Kong or, obviously, Creature From The Black Lagoon -- the director's imagination gives it an authentic vintage texture and enough doses of shocks and blood.

  • News & article

    If it was up to me...

    Life, Kong Rithdee, Published on 10/03/2023

    » The Oscars are once again upon us and Life goes out on a limb to pick the peaches.

  • News & article

    Families: born into or built

    Life, Kong Rithdee, Published on 14/08/2015

    » Put simply, Hirokazu Kore-eda has made another one of his films: delicate, heart-tugging, sweet but not cloying, a meandering stream of limpid water under which an eddy of emotions, unsettled pasts and unspoken worries swirl. As in most films by the Japanese director, Our Little Sister is about family -- the joy it brings along with the complications too. It's not hard to love this tender drama featuring four attractive women in their nice old house and it's not hard either to feel that Kore-eda (Nobody Knows, Air Doll, I Wish) is so assured in his dramaturgy and use of visual language, so much so that the whole thing comes across a little light and safe. 

  • News & article

    Apichatpong's memory of the world

    Life, Kong Rithdee, Published on 30/06/2021

    » It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.

  • News & article

    Staying afloat on a sea of despair

    Life, Kong Rithdee, Published on 13/12/2019

    » Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.

  • News & article

    Humanity over bureaucracy

    Life, Kong Rithdee, Published on 22/11/2019

    » Do we need a feature film about the Tham Luang Cave rescue? We already know the characters, the set-up, the conflict, the ending: The 12 youngsters and their coach were saved, transported out unconscious from the flooded grottos in Chiang Rai by a team of elite divers, against the odds of natural or man-made calamities. Miracles, as the world acknowledges, have already been performed. Tears have been shed and a tragedy -- the death of a Thai Navy Seal -- has been mourned.

  • News & article

    Imagining Krabi

    Life, Kong Rithdee, Published on 11/03/2020

    » There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.

  • News & article

    Diving into the cave

    Life, Kong Rithdee, Published on 09/01/2019

    » Of all the films scheduled to come out in 2019, one will return Thailand to the headlines. Various projects based on last year's dramatic rescue of the 12 Wild Boars footballers and their coach have been touted, and now a Thai film has completed principle photography and is going through post-production.

  • News & article

    Nang Nak at 20

    Life, Kong Rithdee, Published on 26/07/2019

    » Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.

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