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Hoping to take the top prize East
Life, Kong Rithdee, Published on 16/05/2018
» Asian filmmakers have so far fielded a strong force at the 71st Cannes Film Festival, and when the Palme d'Or is decided on Saturday by the Cate Blanchett-led jury there's a real chance that the top prize might go to one of the Asian titles -- after a Turkish film in 2014 (Winter Sleep) and a Thai film back in 2010 (Uncle Boonmee Who Can Recall His Past Lives).
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Cannes Film Fest opens today
Life, Kong Rithdee, Published on 01/02/2017
» The 69th Cannes Film Festival opens today with Woody Allen's Cafe Society, and the world's most influential film festival will play out its drama until May 22. As the glamour and the art of cinema fill the airwaves, here are some of the talking points worthy of note as more reports from the Croisette will follow over the next 10 days.
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At Cannes, humour makes a surprise visit
Life, Kong Rithdee, Published on 01/02/2017
» Humour is hardly ever associated with Cannes competition films -- to win the Palme d'Or, for example, it's assumed a film should possess art house gravitas, serious humanity, or weighty, topical, discourse-stimulating subject matter (last year's winner, Dheepan, is about immigrants in Paris, and before that, the three-hour-long Turkish drama Winter Sleep).
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Monking around on the big screen
Life, Kong Rithdee, Published on 12/04/2016
» Men in saffron robes are a force to be reckoned with; in life, in headline news, and in Thai cinema. At a time when monks scuffle with monks, and sometimes with the authorities, a new Thai film about a funny monk is raking it in at the cinemas.
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It's all in the room
Life, Kong Rithdee, Published on 20/02/2015
» In Bon Srolanh Oun, the spirit of a Khmer woman lingers like an abandoned lover in a room. There's a Thai man, or actually two, and their treatment of the forgotten ghost is the backbone of this moody, atmospheric film by director Siwaporn Pongsuwan. Bon Srolanh Oun is a Thai movie with a Cambodian title — the meaning of which shouldn't be revealed here, as it's a mini-spoiler — featuring a Thai and Khmer cast, as well as locations in Bangkok and Phnom Penh, and a narrative that smuggles in sly commentary on Thai-Cambodian relationships.
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