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  • LIFE

    Soulful, sorrowful, tragic

    Life, Kong Rithdee, Published on 28/08/2015

    » Amy is a biographical documentary of the singer Amy Winehouse, but it is also a horror film. Watching it is like watching a ghost, a confused, tortured ghost of a woman who has boundless talent in singing and none in living. As we watch Amy Winehouse -- in home video footage, concert recordings, TV interviews, etc -- it hits us that we're watching her being killed slowly at every passing minute; killed by herself, her addiction, and by the cruel ecosystem of the fame industry that feeds first on her gift then more voraciously on her downfall. This is one of the best documentary films this year, and in some parts it's also one of the hardest to watch.

  • LIFE

    View from the Far South

    Life, Kong Rithdee, Published on 06/12/2019

    » Young men lie face-down on the floor, their hands tied at the back. Uniformed officers punch and kick them. "Squeeze in!" they shout at the men on the ground. More kicks, more punches.

  • LIFE

    Melancholic, dissonant memories

    Life, Kong Rithdee, Published on 23/10/2015

    » Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.

  • LIFE

    Evocative hymn to Thai rice

    Life, Kong Rithdee, Published on 23/01/2015

    » This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.

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