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  • LIFE

    Sense behind the madness

    Life, Kaona Pongpipat, Published on 08/07/2016

    » One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.

  • LIFE

    The future, in reverse

    Life, Kaona Pongpipat, Published on 08/06/2016

    » On the surface, artist Apichatpong Weerasethakul's video of a night journey through a temple doesn't seem to be in dialogue with photographs of Sakhalin island by Japanese Tomoko Yoneda. Nor does there seem to be any connection between Field Recordings' video work documenting migrant workers on the banks of Shanghai's Huangpu River and MAP Office's incredibly detailed imaginary map of "future Hong Kong".

  • LIFE

    Art to float your boat

    Life, Kaona Pongpipat, Published on 17/08/2016

    » A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.

  • LIFE

    Examining urbanity

    Life, Kaona Pongpipat, Published on 03/06/2015

    » Stepping into the dimly lit Jim Thompson Art Center, one immediately feels connected. The parade of motorcycles is more than a common sight in Bangkok. The colourful car headlining and flaring lights are reminiscent of a songthaew ride home. Other video installations featuring in the space's current exhibition "Missing Links" are instantaneously relatable, even without any explanatory text.

  • LIFE

    Exhibition asks, 'Has happiness returned to Thailand?'

    Life, Kaona Pongpipat, Published on 27/07/2016

    » If "Fear" -- Manit Sriwanichapoom's latest photography and video show, which opened over the past weekend at H Gallery, Tang Contemporary Art and Kathmandu Photo Gallery (and at Yavuz Gallery in Singapore at the end of the month) -- isn't the hottest topic of discussion in the capital's art scene already, it soon will be.

  • LIFE

    Art in experiment

    Life, Kaona Pongpipat, Published on 27/08/2014

    » 'The Experimental Video Art Exhibition" on show at Bangkok Art & Culture Centre (BACC) is certainly not something meant to be easily comprehended. Visiting the venue, even after a second or third time, is always a puzzling and exhausting undertaking.

  • LIFE

    Personal scars, political history

    Life, Kaona Pongpipat, Published on 12/10/2016

    » In "Under The Same Sky", the latest exhibition at Nova Contemporary by photographer Tada Hengsapkul and artist Chai Siris, personal history and that of the world entwine. In no way does the show appear to strive at having these narratives untangled.

  • LIFE

    Decking the walls

    Life, Kaona Pongpipat, Published on 15/02/2017

    » Bangkok's three newest art spaces - ApArt, Future Factory and Most Gallery.

  • LIFE

    Where time and space cease to exist

    Life, Kaona Pongpipat, Published on 02/11/2016

    » How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.

  • LIFE

    Thais take the Lion City

    Life, Kaona Pongpipat, Published on 03/02/2016

    » Singapore's Art Week is over but it doesn't mean there aren't any good remnants left. The newly-opened National Gallery, for one, is hardly what one would call a remnant, with a comprehensive collection of works by Southeast Asian artists from the 19th century onwards which would take at least a day to completely take in. There are also, of course, a few major shows at the old military quarters-turned-art hub Gillman Barracks, such as Steve Mccurry's iconic photography show, Yinka Shonibare's new sculptures and Joan Jonas' acclaimed "They Come To Us Without A Word" exactly as seen in last year's Venice Biennale.

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