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The trap of trust
Life, Amitha Amranand, Published on 27/07/2017
» We often get to see the intersection of the spiritual and the worldly realms in Nikorn Saetang's plays. Buddhist and animist beliefs also play a major role in his work. The spirits of a Japanese soldier and a pining woman walk among the living in search of their loved ones in Rai Pamnak (Where Should I Lay My Soul?). An adult-size baby forces himself into a family whose daughter is hiding her abortion from everyone in Tarok Jokapred (Perverted Baby). A man reincarnates over and over again and refuses to forget his past lives and his family in Kerd-Dub (Reincarnate).
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The price of free speech
Life, Amitha Amranand, Published on 11/10/2012
» Pridi Banomyong Institute has always been an art venue of the smaller voices _ a refuge of sorts for the young, struggling artists, especially the politically minded ones. Theatre-goers know all too well that the venue is also home to two theatre companies, Crescent Moon Theatre and B-Floor Theatre, and their tiny rehearsal and performance spaces, Crescent Moon Space and B-Floor Room.
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