Showing 1 - 5 of 5
Miss(ed) Opportunity
B Magazine, Chanun Poomsawai, Published on 15/03/2020
» The rise of synth-pop darling Claire Boucher, aka Grimes, has been a fascinating one.
So long Hawaiian shirt, hello disco ball
B Magazine, Chanun Poomsawai, Published on 25/08/2019
» The wait for and the painfully gradual lead-up to the release of Friendly Fires' third studio album, Inflorescent, have been a year-long affair, a process that began early last year with a quiet banger Love Like Waves. The way the album unfolds over the course of 15 months is perhaps not the most ideal in the age of music streaming where artists and labels have to appease elusive algorithms and metadata by constantly pumping out what they hope would be a next big smash.
Keeping them keen
B Magazine, Chanun Poomsawai, Published on 02/06/2019
» In many ways, the enduring success of UK four-piece Keane is a curious phenomenon. Formed in 1995, the quartet of four rather ordinary-looking white lads from East Sussex rose to rock prominence with their debut album, 2004's Hopes And Fears. Thanks to the strength of radio-friendly singles like Somewhere Only We Know and Everybody's Changing, they were able to contend with a lot of their rock/indie contemporaries who were also just starting out then -- The Killers, Franz Ferdinand, The Futureheads, Razorlight and The Libertines. While some of those bands have lost their steam or even vanished in the aftermath of the indie-rock heyday, it seems that Keane are still alive and well despite the six-year hiatus following 2013's hits compilation, The Best Of Keane.
More play, please
B Magazine, Chanun Poomsawai, Published on 21/10/2018
» While a compilation of cover songs is not an earth-shattering concept by any stretch of the imagination, a good one does have the power to bridge the gap between eras and connect/re-connect generations of artists as well as listeners. Conceived in 2009 by the Thai media conglomerate GMM Grammy to celebrate its 25th anniversary, Play Project gave rock-leaning artists a chance to cover their favourite tunes in their own playful style. Its first edition saw the likes of Bodyslam, Potato, Clash and Paradox reinterpreting a range of Thai pop classics including Bird Thongchai's Sia Dai, Mai Charoenpura's Sia Jai Dai Yin Mai and Nantida Kaewbuasai's Lakorn Chaak Sud Tai.
A colourless Kaleidoscope
B Magazine, Chanun Poomsawai, Published on 23/07/2017
» Despite big-name collaborators, the latest EP by the UK stadium-rock quartet suffers from overly cloying production and anodyne songwriting.