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Showing 1-6 of 6 results
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Strangers, neighbours, others
Life, Amitha Amranand, Published on 09/06/2022
» For me, the word "ritual" evokes tradition and cycle. And there's plenty that is traditional and cyclical at this year's Singapore International Festival of Arts (Sifa). But with a new festival director, Natalie Hennedige, the programme under the theme "Anatomy Of Performance: Ritual" also embraces questions of the future and the digital space.
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Bonds that can't be broken
Life, Amitha Amranand, Published on 29/07/2021
» Some digital theatre productions that I've seen since the pandemic began have tried to make up for the loss of intimacy and sensory experience that live audience participation allows and the sense of connection to the performance and each other. Sometimes our participation makes the show or is the focus of the show. We the audience help tell the story.
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Transmitting human angst
Life, Amitha Amranand, Published on 01/03/2018
» Second time's a charm for Fullfat Theatre at Warehouse 30. The company returns to the space that had dwarfed and overwhelmed the troupe's first play [Co/exist] with its sheer size and uninsulated high ceiling. With the new play, Taxiradio, playwright-director and Fullfat co-founder Nophand Boonyai has successfully tamed the rugged space to achieve not only live performance suitability, but also intimacy.
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Redressing history
Life, Amitha Amranand, Published on 24/11/2016
» Two new plays have examined the notion of 'justice'. One digs into the political history of Chile and Thailand, the other takes us inside an American jury room
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Stunning visuals with a Thai-French flavour
Life, Amitha Amranand, Published on 25/06/2015
» The final La Fete, a French-Thai cultural festival, drew to a close last Saturday. For years, the festival provided the city its staple of wonder-filled and visually inventive dance and new-circus performances from France. It also occasionally supported experimental works by local artists.
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Thailand in a room
Life, Amitha Amranand, Published on 05/02/2015
» None of us own Bang-La-Merd, but we are all living in it. In Bang-La-Merd, you must be careful not to use the words "freedom" and "rights". The term "human rights" is especially sensitive and most likely prohibited, and in circumstances relating to the sacred, absolutely irrelevant. In Bang-La-Merd, it is advisable to not criticise all that you love and uphold for it is illegal to criticise those whom you must love and uphold.
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