Showing 1-10 of 35 results
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Dictated by night
Life, Chanun Poomsawai, Published on 08/03/2020
» NYC's Elliot Moss, although not without a few missteps, translates nocturnal musings into his most personal record so far
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Just hold on and keep pedalling
B Magazine, Chanun Poomsawai, Published on 16/02/2020
» "We were all really jaded by the end of the last album. We'd done four albums in five years and it'd pretty much been non-stop. You do start to lose the love of it,"
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… Baby one more time
B Magazine, Chanun Poomsawai, Published on 19/01/2020
» Over the past few years, LA-based artist Sondre Lerche has made it his own little tradition to cover pop hits from the year that's been as a holiday gift to his fans. His past covers range from Miley Cyrus' Wrecking Ball and Drake's Hotline Bling to Sia's Chandelier and Beyoncé's Countdown. To cap off the end of the decade, Lerche has stepped up his game by essentially pulling a Ryan Adams circa 2015. But, instead of Taylor Swift, it's the former queen of pop, Britney Spears.
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This woman's work
B Magazine, Chanun Poomsawai, Published on 24/11/2019
» "A woman's work/ A woman's prerogative/ A woman's time to embrace/ She must put herself first," the opening verse of Mary Magdalene from FKA twigs' latest full-length album is sung from the perspective of a fallen woman whose fate runs parallel to that of the titular figure. Following her much publicised break-up with actor Robert Pattinson as well as some serious health issues, the English artist finds common ground with the Biblical character.
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The grey area
B Magazine, Chanun Poomsawai, Published on 10/11/2019
» To this day, no one can really say for certain what happened to Dear Tommy, a supposed follow-up to Chromatics' stunning 2012 opus Kill For Love. According to the popular (and, perhaps, most credible) myth, the record and its previously released singles were scrapped entirely by the band's producer Johnny Jewel, re-recorded, and then … silence. Dear Tommy, it seems, is being put on the back burner, and in its place we have their latest release, Closer To Grey, instead.
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Driving ambition
B Magazine, Chanun Poomsawai, Published on 13/10/2019
» Brisbane-born singer-songwriter and rapper Grace Shaw is not afraid to dream big. "Anything is possible if you just say that you're going to do it. That's honestly such a lifehack," she said recently in an interview with Fader. Shaw, who performs as Mallrat, went on to mention that she hopes to one day write songs for artists like Rihanna, Beyoncé and Camila Cabello. Her aspirations may sound rather ambitious, especially for a relatively new talent. But looking at the 21-year-old's resume, which includes two solid EP releases, a tour with fellow Aussie rapper Allday and opening for Post Malone, you can't help but wonder that she might be on to something.
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Snowed in
B Magazine, Chanun Poomsawai, Published on 08/09/2019
» "If I lay here/ If I just lay here/ Would you lie with me/ And just forget the world?" Honestly, it's hard not to automatically think of the devastating chorus of Chasing Cars whenever the band Snow Patrol is mentioned. To a great extent, the Northern Irish/Scottish quintet have American hospital drama Grey's Anatomy to thank for single-handedly popularising the song through one of the series' heart-rending season finales. Snow Patrol suddenly became a household name worldwide, continuing the legacy of post-Britpop previously jump-started by bands like Travis, Coldplay and Keane.
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Dreaming awake
B Magazine, Chanun Poomsawai, Published on 21/07/2019
» "What's that? (I may be paranoid, but no android)/ What's that? (I may be paranoid, but no android)," Thom Yorke sings on the lead single off Radiohead's third studio album, 1997's OK Computer.
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With wild abandon
B Magazine, Chanun Poomsawai, Published on 09/06/2019
» Over the course of nearly a decade, we have on more than one occasion gushed about how UK outfit Wild Beasts were top-shelf purveyors of erudite indie-rock. Even though they regrettably called it quits in 2017, they remain one of the very few rock bands who managed to strike an impeccable balance between indie and art-rock. Ranging from baroque to barbaric, their five-album discography charts leftfield territories with strutting confidence. Not many rock bands are able to incorporate geeky literary allusions into their songwriting and still look pretty damn cool doing it.
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Keeping them keen
B Magazine, Chanun Poomsawai, Published on 02/06/2019
» In many ways, the enduring success of UK four-piece Keane is a curious phenomenon. Formed in 1995, the quartet of four rather ordinary-looking white lads from East Sussex rose to rock prominence with their debut album, 2004's Hopes And Fears. Thanks to the strength of radio-friendly singles like Somewhere Only We Know and Everybody's Changing, they were able to contend with a lot of their rock/indie contemporaries who were also just starting out then -- The Killers, Franz Ferdinand, The Futureheads, Razorlight and The Libertines. While some of those bands have lost their steam or even vanished in the aftermath of the indie-rock heyday, it seems that Keane are still alive and well despite the six-year hiatus following 2013's hits compilation, The Best Of Keane.
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