Showing 1-10 of 21 results
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Threading her way through Islam
Life, Kaona Pongpipat, Published on 08/09/2016
» The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.
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Exposure is key to Chiang Mai photography exhibition
Life, Kaona Pongpipat, Published on 25/01/2017
» The room is red and hot, but nothing feels erotic about it. Eight naked models are featured in Tada Hengsapkul's latest photography show "The Things That Take Us Apart", yet it resulted not in a height of sexual tension but just a seemingly normal and civilised social gathering.
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Opening doors
Life, Kaona Pongpipat, Published on 02/12/2016
» From now until March, a weekend in Hua Hin will no longer be just about seaside activities or a stroll around night markets. Launched earlier this month, Vic Hua Hin's inaugural "Theatre Season", a festival of music, dance and stage performances and film screenings, will keep both locals and visitors busy every weekend.
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Where time and space cease to exist
Life, Kaona Pongpipat, Published on 02/11/2016
» How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.
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The future, in reverse
Life, Kaona Pongpipat, Published on 08/06/2016
» On the surface, artist Apichatpong Weerasethakul's video of a night journey through a temple doesn't seem to be in dialogue with photographs of Sakhalin island by Japanese Tomoko Yoneda. Nor does there seem to be any connection between Field Recordings' video work documenting migrant workers on the banks of Shanghai's Huangpu River and MAP Office's incredibly detailed imaginary map of "future Hong Kong".
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Blue-blood gets a taste for your blood
Life, Kaona Pongpipat, Published on 09/02/2016
» When Chulachak Chakrabongse speaks, he rarely looks your way. He could be drifting or struck by sheer boredom, but you are never offended. You're busy wondering what to make of his presence: as teen star that he once was, as a father of two, as great-great-grandson of King Rama V, as 34-year-old blues rock star "Hugo", who was with Jay-Z's Roc Nation label. Or now, in a rather unexpected turn of career path, as Count Dracula in a stage play production of Bram Stoker's classic.
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Finding fortune
Life, Kaona Pongpipat, Published on 11/08/2014
» Philippus Albertus Van Wyk was born into a very wealthy farming family in South Africa's Pretoria, but money didn't give his life meaning. The 39-year-old is now a volunteer teacher at Baan Koh Payam School, a local Prathom school on Koh Payam, a two-hour boat ride off Ranong province, and says he has finally found his purpose.
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Examining identity
Life, Kaona Pongpipat, Published on 16/11/2016
» A lot is going on in "Continuum: Acculturating", the latest exhibition at The Art Center at Chulalongkorn University. Jakkai Siributr, Jedsada Tangtrakulwong and Piyatat Hemmatat show different interests and practices, and with "acculturation" as the key idea, the result is three separate and complicated realms. In them, narratives and cultural identities -- those of the artists' origins and from the new environments they are looking at -- are constantly shifting and integrating.
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The elephant in the room
Life, Kaona Pongpipat, Published on 17/11/2016
» Last weekend, Something Missing, a performance by South Korea's Theatre Momggol and B-Floor Theatre, which won Best Movement-based Performance from the International Association of Theatre Critics (Thailand Centre) last year, was back at Thong Lor Art Space for its second instalment, called The Rite Of Passage.
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Building blocks
Life, Kaona Pongpipat, Published on 25/11/2015
» ‘An example of bold, contemporary architectural thinking,” said World Architecture Festival director Paul Finch of “The Interlace”, a residential development designed by OMA/Buro Ole Scheeren, which has been crowned World Building of the Year 2015 at the World Architecture Festival in Singapore earlier this month.
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