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  • News & article

    Freedom, creatively speaking

    Life, Kaona Pongpipat, Published on 22/02/2017

    » In many ways, "Condemned To Be Free", a duo exhibition which just opened last week at WTF Gallery, is in a constant state of flux. On the first floor, artist Kritsada Duchsadeevanich looks simultaneously at the transformation of his own political ideology and that of the country's political history. On the upper floor, painter Tawan Wattuya leaves out his watercolours and turns the gallery into an experimental space where the lines between art and activism, the authority of an artist and voice of ordinary people, are blurred.

  • News & article

    Never forget

    Life, Kaona Pongpipat, Published on 05/10/2016

    » In a stage performance that just finished its run on Sunday, performers re-enacted scenes in which victims were hunted, beaten and strangled to death. In an art exhibition opening tomorrow, we'll see in paintings traces of atrocious scenes in the foreground while the surface is heavily smudged with paint, to the point of abstraction.

  • News & article

    The fear is here

    Life, Kaona Pongpipat, Published on 03/08/2016

    » With any political fight, it's hardly the end when street clashes are over -- camps demolished, protesters injured or dead and the authorities able to curb the movement or finally comply with its demands. The fight continues and what's perhaps more significant than action on the streets is finding the desired spot in a page in history, in people's minds. The question is: how are we to be remembered?

  • News & article

    Art attack

    Life, Kaona Pongpipat, Published on 08/06/2016

    » The art dispute of the year is upon us. As the art community sees the rift open up, it also reminds society of the ideological divide that has plagued Thailand for many years. The stage is the exhibition called "The Truth_ To Turn It Over" curated by Gwangju Museum of Art to commemorate the 1980 Gwangju Uprising against the military dictatorship; it's been almost a month since the show opened in South Korea, but it's still very much "an ongoing process" -- a very heated one at that.

  • News & article

    Art as a political act

    Life, Kaona Pongpipat, Published on 18/03/2016

    » It was with a feeling of nausea and disgust that Chiang Mai-based artist Mit Jai Inn spent one month working on his new series of abstract paintings, now on display and part of the exhibition "Wett" at Gallery Ver at N22 in Bangkok. Mit's series is entitled "Junta Monochrome" -- obviously not for the works themselves -- for the art space has exploded with every colour imaginable; rather the title conveys the artist's contempt for the reality outside: a junta-ruled country where things are either black or white, where if you're not a khon dee (good person), the artist says, you are inevitably the bad guy.

  • News & article

    Myth, love and blind earthworms

    Life, Kaona Pongpipat, Published on 09/11/2015

    » Veeraporn Nitiprapha's debut novel, which has just won this year's SEA Write Award, is ultimately a trap. Read it, and if you are totally into the world this author has created, then you are, as the book's title suggests, a Blind Earthworm In A Labyrinth (Saiduan Tabod Nai Khaowongkot).

  • News & article

    The shape-shifting form of protests

    Life, Kaona Pongpipat, Published on 06/10/2015

    » The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.

  • News & article

    Lessons from the trenches

    Life, Kaona Pongpipat, Published on 16/07/2015

    » Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.

  • News & article

    Curators' favourite exhibitions of 2014

    Life, Kaona Pongpipat, Published on 19/12/2014

    » This year visual art, compared to theatre and film, has not been all that politically active despite 2014, with its mass protests, coup and subsequent outcry for freedom of expression being one of the most tumultuous years in recent history.While most galleries have retained their stance on putting on exhibitions purely for aesthetic purposes, it's exciting to see a few small art spaces that have been active in providing alternative venues for young artists. In this round-up, Life asks five curators to pick their favourite shows of the year.

  • News & article

    Needling thailand's looters

    Life, Kaona Pongpipat, Published on 20/11/2013

    » Jakkai Siributr's latest exhibition, "Plunder", at Yavuz Fine Art in Singapore, is in a sense a haunted house. A political one, that is, with 39 Thai civil servant uniforms hanging lifelessly all over the room, and each has, in varying places, the familiar face of a Thai politician roughly embroidered on.

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