Showing 1-10 of 21 results
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Information as power
Life, Suwitcha Chaiyong, Published on 26/01/2022
» As the exhibition's title suggests, "Xhibition In The Dark" by Chookiat Likitpunyarut showcases art installations in a dimly dark space, Chookiat, who worked as an interior designer, brand builder and design consultant in New York for almost a decade, said his first solo exhibition in Thailand is experimental art.
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Seeing silver linings
Life, Suwitcha Chaiyong, Published on 27/07/2022
» When the 11th White Elephant Art Award announced its theme "Endless Giving", people in Thailand were facing a difficult time due to lockdown measures to control the spread of Covid-19. Artist Ananyot Jannual said it was so difficult to think about "endless giving" at that time because almost everyone was encountering difficulties of some sort due to the healthcare crisis. However, he came up with Palung Haeng Dok Tantawan (The Power Of The Sunflowers) and won first prize for his powerful oil and acrylic painting.
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From 2D to 3D
Life, Suwitcha Chaiyong, Published on 06/01/2021
» Situated next to the Chao Phraya River, visitors who travel by boat to The Jam Factory can experience either a powerful or peaceful river. In her latest exhibition titled "Unnamed Tremble", artist Narissara Pianwimungsa explores her feelings about the power of nature along with her chaotic state of mind as a result of the Covid-19 pandemic.
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Exploring different heritages
Life, Suwitcha Chaiyong, Published on 25/05/2022
» Thailand is a country with cultural diversity. The "Red Area And Black Spirit" art exhibition presents two cultures that reflect the differences between two woodcut artists -- Chayasit Orisoon and Warisara Apisampinwong. While Chayasit showcases Song or Tai Dam culture in his "Black Spirit" room, Warisara exhibits Chinese-Thai culture in her "Red Area". Both Chayasit and Warisara are colleagues who earned a master's in visual arts from Silpakorn University. Since their woodcut pieces involve culture, they decided to hold the exhibition together at the People's Gallery, Bangkok Art & Culture Centre.
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Sex, truth & politics
Life, Kong Rithdee, Published on 11/09/2017
» In Uthis Haemamool's new novel, the protagonist's erotic adventure runs parallel to Thailand's political education. A man's carnal quests and sexual outbursts become, in a way, an allegory of a larger social context as the country goes through three coups d'etat and several convulsive protests in the past 25 years. The awakening of the loin as a metaphor for political orgasm, physical penetration as an analogy for abuses of power -- <i>Rang Haeng Pratana</i> (Silhouette Of Desire) is a novel that, Uthis admits, presents him with many risks as a writer.
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Pass the smell test
Oped, Postbag, Published on 05/05/2022
» Re: "Waste-to-energy plant shut as locals gripe over foul smell", (BP, May 2).
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Bangkok reimagined
Guru, Pornchai Sereemongkonpol, Published on 23/09/2022
» You may already have heard of Bangkok being compared to Blade Runner made real, given our neon signs, skyscrapers, dingy alleys, huge billboards, elevated motorways and busy roads. Flaws and all, Bangkok has inspired many artists to reimagine it in their own way, shining a different light on our beloved capital city. Its unique aesthetic has captured the imagination of many artists and filmmakers, and Guru has compiled a few noteworthy reimaginations of Bangkok for your entertainment.
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Ancient art moves to modernise
Life, Thana Boonlert, Published on 10/05/2022
» After a two-year hiatus, Thanyaporn Khongkrathok, 17, and her friends dusted off their kaleidoscopic bird-like costumes. When the curtain was raised, they danced gracefully to pay respect to their ancestors. Thanyaporn has practised nora, the southern performance art, from an early age because she wants to preserve it.
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Sharing optimism through art
Life, Suwitcha Chaiyong, Published on 27/04/2022
» Three Thais reveal their interpretation of 'a beautiful life' and the inspiration behind their creations.
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Break the mould
Oped, Postbag, Published on 07/05/2022
» Re: "Dove seeks to end forced haircuts," (BP, May 6).
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