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Showing 1-4 of 4 results
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In the eyes of a 'TigerGeneral'
B Magazine, Ezra Kyrill Erker, Published on 29/01/2012
» On the cover it's a memoir, the foreword says the book is indebted to its main subject and the copyright page claims it's a work of fiction. The Tiger General is certainly too accurate in its historical, cultural and espionage details for the characters to be entirely invented, and with a complete absorption in time and place difficult to pull off with such precision in fiction.
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The art of the matter
B Magazine, Ezra Kyrill Erker, Published on 01/07/2012
» Standing amid an eclectic collection of artworks at the opening of the exhibition "Empowering Women Farmers for a Sustainable Livelihood" are a handful of the artists. Nitaya Ueareeworakul, a founding member of Womanifesto _ an artists' network-building organisation that hosts exhibitions, workshops and seminars, and encourages interaction within urban and rural communities _ explains to Brunch that most of her work is political, aimed at empowering women. Through art she hopes to raise awareness of many issues affecting women _ in this case a push towards equal land ownership regulations that would make it easier for female farmers and women in rural communities to own the land they work and live on.
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Bean there, Done that: Bangkok's best cafes
B Magazine, Ezra Kyrill Erker, Published on 17/03/2013
» Bangkok's coffee houses offer more than just an air-conditioned escape from the overheated rigours of life in the capital. They are human petrol stations _ places to refuel, snack and reorder the mind amid the chaos. Coffee houses also serve as surrogate offices or libraries, places to meet business clients, study for exams or polish off a book. And, yes, the air-conditioning doesn't hurt either.
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Playing with the gods
B Magazine, Ezra Kyrill Erker, Published on 31/03/2013
» The paintings of "The Player" exhibition contain elements of thangka art and other Himalayan forms, pop art, surrealism, traditional Ramakien and personal inventions _ all in multicoloured oils on canvas. The photographs on adjacent walls are more subdued _ black and white travel portraits with emphasis on light and darkness and the inner nature of their subjects.
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