Showing 1-10 of 119 results
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Ripley strikes quite exquisitely, again
Life, Kong Rithdee, Published on 12/04/2024
» Just when you thought the original book was bled dry, its last drop of smouldering homoerotic blood squeezed and sucked by multilple movie adaptations, from Rene Clement (French) and Anthony Minghella (American) to Liliana Cavani (Italian), here comes Steven Zaillian's seven-episode Netflix series bluntly titled Ripley. Dusky and exquisitely coldblooded, the latest reworking proves that the Patricia Highsmith's 1955 novel The Talented Mr. Ripley is a living gift that continues giving after 69 years.
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Poor Barbie... Oppenheimer's the bomb
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
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Pandemonium
Life, Kong Rithdee, Published on 30/09/2022
» The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.
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Melancholy and absurdity
Life, Kong Rithdee, Published on 14/05/2021
» Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India's Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
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A sick man, on a tour of hospital hell
Life, Kong Rithdee, Published on 07/05/2021
» The Death Of Mr. Lazarescu came out in 2005 and cemented the cinematic potency of the Romanian New Wave and their brand of droll, deadpan and relentlessly realistic movies about life in the ex-socialist state. The film premiered at the Cannes Film Festival 2005 and now, 16 years later, The Death Of Mr. Lazarescu is buried deep in the algorithm of Netflix. But it's there if you look, and I'm bringing it up today because its story of public healthcare apocalypse and accumulated absurdities experienced by a patient trying to find a hospital bed seems more timely, more wickedly serendipitous, than ever.
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Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
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Climbing the one-inch barrier
Life, Kong Rithdee, Published on 10/02/2020
» Hollywood gasped with embarrassment and sudden realisation when Bong Joon-ho, the director of Parasite, said in his acceptance speech at the Golden Globes: "Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to many more amazing films."
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We need less 'content' and more journalism
News, Kong Rithdee, Published on 25/01/2020
» Content, as media gurus keep preaching, is king. But such PowerPoint pep talk is shallow: "Content" -- an increasingly bastardised term that has come to signify TV newscasts, podcasts, movies, viral videos, Netflix series, memes, news articles, editorial features, real advertising, covert advertising, tweets and Facebook posts, organic or boosted -- is also an anaesthetic. It dulls the senses and kills meaning, then proceeds to belittle essence, promote shallowness and eventually undermine the practice of journalism.
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A night of surprises, some splendid
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
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An imperfect world
Life, Kong Rithdee, Published on 21/05/2019
» Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?
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