Showing 1-10 of 92 results
-
Personal scars, political history
Life, Kaona Pongpipat, Published on 12/10/2016
» In "Under The Same Sky", the latest exhibition at Nova Contemporary by photographer Tada Hengsapkul and artist Chai Siris, personal history and that of the world entwine. In no way does the show appear to strive at having these narratives untangled.
-
The shape-shifting form of protests
Life, Kaona Pongpipat, Published on 06/10/2015
» The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.
-
Exhibition captures killer shots
Life, Kaona Pongpipat, Published on 19/11/2014
» At around 7pm on May 13, 2010, Maj Gen Khattiya Sawasdipol, or Seh Daeng (Red Commander), was shot in the head while giving an interview to foreign reporters. Photographer Steve Pace was there and took the key picture. His image of the collapsed and bloodied general being carried away, published in several major newspapers worldwide, is what people still remember about this still-unresolved political assassination.
-
From clam to crab governments
Life, Kaona Pongpipat, Published on 14/12/2015
» From the Tanin Kraivixien government following the massacre of Oct 6, 1976, the premiership of Gen Prem Tinsulanonda in the 80s, the post-economic crisis time of Chuan Leekpai up to the politically turbulent times of Thaksin Shinawatra, Abhisit Vejjajiva and Yingluck Shinawatra -- few have witnessed the history of Thai contemporary politics as closely as Somlak Songsamphant.
-
The future, in reverse
Life, Kaona Pongpipat, Published on 08/06/2016
» On the surface, artist Apichatpong Weerasethakul's video of a night journey through a temple doesn't seem to be in dialogue with photographs of Sakhalin island by Japanese Tomoko Yoneda. Nor does there seem to be any connection between Field Recordings' video work documenting migrant workers on the banks of Shanghai's Huangpu River and MAP Office's incredibly detailed imaginary map of "future Hong Kong".
-
Sense behind the madness
Life, Kaona Pongpipat, Published on 08/07/2016
» One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.
-
Stage whispers
Life, Kaona Pongpipat, Published on 27/05/2015
» The artistic career of Thanapol Virulhakul, director of the critically acclaimed contemporary dance performance Hipster The King, is a work-in-progress. It started out with a thesis project at Thammasat University's Faculty of Journalism and Mass Communication, in which he made Buddhist amulets out of chocolate, sold them on the street and filmed reactions of passers-by and amulet experts.
-
Stars of the Thai stage honoured
Life, Kaona Pongpipat, Published on 24/03/2016
» The theatre scene in Thailand is still a relatively small affair yet it was a lively evening on Tuesday as directors, performers, theatregoers and members of the press joined the 2015 IATC Thailand Dance and Theatre Review awards ceremony at Bangkok Art and Culture Centre.
-
Constant flux
Life, Kaona Pongpipat, Published on 14/12/2016
» Bangkok Art and Culture Centre hasn't seen this many visitors in quite a while. Today people are everywhere in the exhibition space on the 9th floor even though it is a weekday afternoon. They have never been so involved with the artworks on display and careless as to what other visitors might think of them.
-
Loud paintings
Life, Kaona Pongpipat, Published on 13/01/2016
» Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".
Your recent history
-
Recently searched
-
Recently viewed links
Did you find what you were looking for? Have you got some comments for us?
