Showing 1-10 of 28 results
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Youth strike fear into old, cold hearts
News, Kong Rithdee, Published on 08/10/2016
» We can imagine the scene: Twenty policemen mobbed a 19-year-old boy arriving at the airport immigration. They took him to the detention quarters and kept him there, refusing communication, and consequently sent the entire world into a manhunt frenzy. Where's Joshua Wong? What has he done? Or more directly to the heart of the midnight stealth: What did the Thai authorities fear? Why did the mighty state have to send 20 officers -- not five, not 10, but 20 -- to whiz away a skinny boy on a red-eye flight? A boy whom I bet never won a fist-fight in his high-school yard.
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The vagabond returns
Life, Kong Rithdee, Published on 20/01/2023
» A film once overlooked and misunderstood may have found its moment many years later, the work's peculiar vibrations finally detected and at last appreciated.
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Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
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Highbrow picks from Netflix
Life, Kong Rithdee, Published on 01/05/2020
» Cannes Film Festival, the annual jamboree of world cinema usually taking place in May, has been postponed until further notice. In its absence, we delve into the Netflix menu and find four films that made their debut at Cannes over the past decades and made a noise in their own way.
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Once upon a time on the French Riviera
Life, Kong Rithdee, Published on 14/05/2019
» The spectacle ahead will -- hopefully (cinema sages are an optimistic bunch) -- be spectacular. The 72nd Cannes Film Festival opens tonight and there are all manner of curiosities to look forward to: an army of hipster zombies; Margot Robbie as Sharon Tate; Korean parasites; a Maradona doc; an Elton John biopic; Islamic extremism in Belgium; British miserabilism (Brexit and other demons); and, of course, Elle Fanning on the red carpet for 11 days straight, performing jury duty at the world's most reported, most hyped and most influential film festival.
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Guilt and sin minus the politics
Life, Kong Rithdee, Published on 20/04/2018
» The squalor of Manila slums populated by high-school drug runners, then a chaotic precinct ruled by corrupt cops and even more corrupt chiefs -- these are the familiar turfs of Brillante Mendoza, the best-known Filipino filmmaker among international audiences.
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Last light at Lido
Life, Kong Rithdee, Published on 04/05/2018
» The Lido Theatre opened on June 27, 1968, a 1,000-seat movie palace in the fast-modernising neighbourhood of Pathumwan. The first title on the marquee was Guns For San Sebastian, a cowboy film starring Anthony Quinn.
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Our newest mission is to love the bomb
News, Kong Rithdee, Published on 08/07/2017
» Like all soap addicts, I caught glimpses of the debut episode of the television series Love Missions last week. Not a strand of hair misplaced despite his dangerous expedition, Capt Purich (played by Sukollawat Kanarot) enters a red zone to battle terrorists after they've abducted foreign delegates from a conference in Bangkok. "This act of terrorism has a big boss behind it," intones the captain.
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View from a veteran
Life, Kong Rithdee, Published on 24/03/2017
» The list of hits he has created in the past 20 years is long and staggering: Visute Poolvoralaks, perhaps Thailand's best-known film producer, is the man behind the renaissance of Thai cinema in the mid-1990s with Dang Bireley's And Young Gangsters, Nang Nak and Satree Lex, before becoming part of the hit-making machine GTH to push Fan Chan, Hello Stranger and the highest-grossing Thai film of all time, Phi Mak Phrakanong. Estimated box-office intake commandeered from his desk: nearly 2 billion baht.
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Melancholic, dissonant memories
Life, Kong Rithdee, Published on 23/10/2015
» Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.
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