Showing 1-10 of 27 results
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Regional revolution
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
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Constant flux
Life, Kaona Pongpipat, Published on 14/12/2016
» Bangkok Art and Culture Centre hasn't seen this many visitors in quite a while. Today people are everywhere in the exhibition space on the 9th floor even though it is a weekday afternoon. They have never been so involved with the artworks on display and careless as to what other visitors might think of them.
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Chart-ing Facebook
Life, Kaona Pongpipat, Published on 16/05/2016
» It has been eight years since writer Chart Kobjitti, national artist and two-time SEA Write Award winner, published his book Lorm Wong Khui, a collection of articles written for Si San magazine. Eight years is a long time, especially for fans of various generations who literally grew up with his writing, from the cursed life of Ai-fak in 1981's Khamphiphaksa (The Judgement) that won his first SEA Write award, and the tumultuous story of life, friendship and lots of booze in 1988's Phan Ma Ba, to a miserable account of age and death in a nursing home in 1993's Wela (Time), for which he won the award once again.
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Where time and space cease to exist
Life, Kaona Pongpipat, Published on 02/11/2016
» How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.
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No stars in gunman saga 'reality show'
News, Kaona Pongpipat, Published on 26/05/2016
» 'You are the star," said Christof to Truman Burbank in the 1998 American satirical comedy-drama hit film The Truman Show. Jim Carrey stars as Truman, a man whose whole life in a constructed reality is broadcast 24/7 to billions of people around the world. "You were real. That's what made you so good to watch."
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Ratchaburi's roll of the dice
Life, Kaona Pongpipat, Published on 04/03/2016
» Almost five years ago the late writer and National Artist in literature Prabhassorn Sevikul wrote a short story. The text was not published on paper but painted along the bank of Mae Khlong river, and you had to walk the total of 3km to finish the story. The ephemeral aspect of this, along with 74 other artworks installed around Ratchaburi, featured in the first edition of the community-based "Art Normal" event.
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Stage whispers
Life, Kaona Pongpipat, Published on 27/05/2015
» The artistic career of Thanapol Virulhakul, director of the critically acclaimed contemporary dance performance Hipster The King, is a work-in-progress. It started out with a thesis project at Thammasat University's Faculty of Journalism and Mass Communication, in which he made Buddhist amulets out of chocolate, sold them on the street and filmed reactions of passers-by and amulet experts.
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Message on a bottle
Life, Kaona Pongpipat, Published on 11/09/2014
» In 2008, Barack Obama wrote in a letter: "Your images have a profound effect on people, whether seen in a gallery or on a stop sign. I am privileged to be a part of your artwork and proud to have your support. I wish you continued success and creativity."
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Being boxed in
Life, Kaona Pongpipat, Published on 18/09/2014
» The space at Democrazy Theatre Studio has now been filled with boxes. They're a major part in director Adjjima Na Patalung's latest production The Boxes, which opens on Saturday.
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Freedom, creatively speaking
Life, Kaona Pongpipat, Published on 22/02/2017
» In many ways, "Condemned To Be Free", a duo exhibition which just opened last week at WTF Gallery, is in a constant state of flux. On the first floor, artist Kritsada Duchsadeevanich looks simultaneously at the transformation of his own political ideology and that of the country's political history. On the upper floor, painter Tawan Wattuya leaves out his watercolours and turns the gallery into an experimental space where the lines between art and activism, the authority of an artist and voice of ordinary people, are blurred.
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