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  • LIFE

    In praise of crazy

    Life, Ung-Aang Talay, Published on 01/03/2016

    » There is a story by the American writer Donald Barthelme in which a condemned man is offered the chance to hear one last song before he is executed. He requests Charles Ives' Fourth Symphony, a good choice because with its demand for a huge orchestra, chorus, organ, three pianos (one tuned in quarter-tones), and ultra-complex scoring, the wait involved in preparing a performance would be sure to keep him alive for a long time.

  • LIFE

    Hunt for harmony

    Life, Ung-Aang Talay, Published on 02/02/2016

    » Brahms was so intimidated by the achievement of Beethoven as a symphonist that he held off on the composition of his own First Symphony until quite late in his career. But by then he had already written large-scale orchestral works that would have no reason to fear comparison with the Beethoven scores -- the youthful First Piano Concerto, for example, has an opening as arrestingly dramatic as any of the older composer's. Most have been repertory standards for well over a century.

  • LIFE

    A Night to Remember

    Life, Ung-Aang Talay, Published on 29/01/2015

    » Mozart, Brahms and Beethoven: three safe choices for a concert here in Bangkok. And the sellout audience that filled the Main Hall of the Thailand Cultural Centre on Tuesday to hear pianist Krystian Zimerman and the Bangkok Symphony Orchestra under the baton of guest conductor Charles Olivieri-Munroe in a programme of works by the three titans knew they would be spending the evening in safe musical territory. But they may not have expected that the evening would include one of the most memorable Bangkok musical experiences in recent memory.

  • LIFE

    Mystical bliss

    Life, Ung-Aang Talay, Published on 02/09/2014

    » There must have been a mob of classical listeners who sensed a door opening when Chandos began releasing recordings of Danish composer Per Norgard's music in the late 1990s. Enthusiastic reviews award nominations and prizes stacked up. When the Leif Segerstan-directed account of the Third Symphony appeared, that clinched it — the work was clearly a masterpiece of the first rank by a composer, revered in his native Denmark, who had previously somewhat unknown to many (I knew him as the composer of the musical soundtrack for the film Babette's Feast).

  • LIFE

    Bach, hot and bothered

    Life, Ung-Aang Talay, Published on 01/07/2014

    » Listening to this album can be frustrating — the good items are so good that the frequent duds land with an especially loud thud.

  • LIFE

    Serenading Italy

    Life, Ung-Aang Talay, Published on 17/06/2014

    » The relative obscurity of Wilhelm Stenhammar’s gorgeous Serenade is baffling. The Swedish composer wrote it in between 1914-19, under the spell of a trip to Italy. And even though there is no overt musical picture painted in the piece, you can sense the summery mood that the southern landscape evoked in its Scandinavian visitor.

  • LIFE

    Mood swings and energy forces

    Life, Ung-Aang Talay, Published on 03/06/2014

    » No one can blame other young composers for any envy they may feel for Anna Clyne and Mason Bates. Chicago Symphony Orchestra music director Riccardo Muti appointed them as the orchestra’s composers in residence in 2010/11 and extended the appointment for the 2014/15 season. Listening to the two pieces that Muti and his Chicago musicians play on this programme, it’s easy to understand why he wanted to keep them on.

  • LIFE

    Boulez and nothing else

    Life, Ung-Aang Talay, Published on 01/04/2014

    » A real windfall for contemporary music listeners.

  • LIFE

    Searching for Prokofiev

    Life, Ung-Aang Talay, Published on 18/03/2014

    » Today, a few miscellaneous items and recommendations. A few weeks back while discussing Andrew Litton’s recent BIS recording of Prokofiev’s Sixth Symphony with the Bergen Philharmonic, I lamented the current unavailability in any format of Eugene Ormandy’s old Columbia recording of the piece with the Philadelphia Orchestra. Litton’s account is very good, as are others by conductors like Jarvi, Weller and, especially, Mravinsky, but it was Ormandy who best traced the link between Prokofiev’s gift for long-lined, heartbreaker themes — those in the first two movements of this symphony, for example — and the achievement of Russian Romantic composers like Tchaikovsky and Rachmaninov.

  • LIFE

    Mother knows best

    Life, Ung-Aang Talay, Published on 01/11/2013

    » One of Bangkok's real culinary pleasures is the experience of stepping into an unremarkable-looking little food shop and finding a dish that is done really well. Food-alert types will know that this is something that happens much less frequently these days than it once did, but most will have a mental shortlist of little places that rarely disappoint, perfect for inviting special friends for impromptu informal meals.

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