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  • News & article

    The Lobster is a love story like no other

    Life, Kong Rithdee, Published on 20/11/2015

    » The strangest movie of the year opens this week in Bangkok. The Lobster imagines a future world where single people are ostracised, then shipped off to "The Hotel", a clinically, sinisterly beautiful resort where they have to find a romantic partner within the deadline of 45 days. If they fail to find a "compatible" mate from among the singles herded there, they will be transformed into an animal of their choice and banished into the wild. Colin Farrell, glum and potbellied, plays David, who states that he wishes to become a lobster when his time comes.

  • News & article

    Deep in the paradox

    Life, Kong Rithdee, Published on 25/05/2022

    » In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?

  • News & article

    Follow the yellow brick road

    Life, Kong Rithdee, Published on 21/06/2019

    » There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.

  • News & article

    Last light at Lido

    Life, Kong Rithdee, Published on 04/05/2018

    » The Lido Theatre opened on June 27, 1968, a 1,000-seat movie palace in the fast-modernising neighbourhood of Pathumwan. The first title on the marquee was Guns For San Sebastian, a cowboy film starring Anthony Quinn.

  • News & article

    Desolation row

    Life, Kong Rithdee, Published on 19/08/2016

    » Ripping through lonesome plains and highway desolation, two Texan brothers set out to rob banks that, technically, have been robbing their family for years. Tanner and Toby (Ben Foster and Chris Pine) are siblings at different ends of the spectrum: the first a wild coyote, a jittery flask of criminal energy; the second a melancholic fox, handsome, sad and serious.

  • News & article

    Leaving a Thai impression

    Life, Kong Rithdee, Published on 01/01/2016

    » Once again, a small Thai film blew over Cannes Film Festival like a graceful lover. On Monday, Apichatpong Weerasethakul's Cemetery Of Splendour (or Rak Ti Khon Kaen) was screened to a thundering 10-minute standing ovation in the Un Certain Regard section, where the film's elegant formalism and aching beauty, deeply rooted in the northeastern spirit and post-coup reflection, shook up the festival slumber.

  • News & article

    Mind over matter

    Life, Kong Rithdee, Published on 01/01/2016

    » Ronnie Del Carmen never thought he would become an animator.

  • News & article

    Interpreting the legend

    Life, Kong Rithdee, Published on 21/11/2014

    » O INHABIT A TORTURED SOUL, Gaspard Ulleil lost weight and arrived on the first day of shooting for Saint Laurent "in a body that wasn't mine". The classy, strong-jawed French actor, 30, adds: "It's important, because it helped me to transcend something and meet the character."

  • News & article

    Sensual biopic encapsulates an age

    Life, Kong Rithdee, Published on 28/11/2014

    » Bertrand Bonello's Saint Laurent is an exquisite opium den, a biography of sensual feelings rather than of fact. Running at 150 minutes, the film is more interested in what Yves Saint Laurent senses, feels, imagines and dreams than the actual reality around him. Usually, a biopic of a personality strives to "humanise" the subject — we're supposed to see him/her at his best and worst, his genius and his foibles. Here, Bonello and his actor, Gaspard Ulliel, have done something more startling: they don't humanise Saint Laurent as much as sensualise him.

  • News & article

    Show must go on to save Scala cinema

    News, Kong Rithdee, Published on 06/01/2018

    » Urban conservationists, architects, archivists, cinema-goers, and all-round romantics have united for one cause: Save Scala.

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