Showing 1-10 of 12 results
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SEA of delights
Life, Kong Rithdee, Published on 04/07/2019
» The Bangkok Asean Film Festival runs until July 8 and features 30 titles. Here are our top picks.
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Defeating death
Life, Tatat Bunnag, Published on 02/07/2019
» Losing people you love is hard. Accepting loss is extremely challenging. People from different cultures and religious backgrounds have their own beliefs on how to deal with grief, or whether or not there's life after death.
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Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
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Not the usual fare
Life, Kong Rithdee, Published on 19/10/2018
» Two idiosyncratic filmgoing options for fans of Thai cinema — one classic, one contemporary
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Taiwan's real to reel
Life, Published on 29/08/2018
» A protest doc, a lesbian Taoist mother, a portrait of a dissident group, a woman who will become a teacher when she's dead -- these are some of the titles to be shown at the "Taiwan Documentary Film Festival In Bangkok 2018", which begins tomorrow at SF CentralWorld.
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Melancholic, dissonant memories
Life, Kong Rithdee, Published on 23/10/2015
» Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.
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A tasty alternative to movies-as-usual
Life, Melalin Mahavongtrakul, Published on 15/09/2016
» Finding alternative, independent films amidst mainstream Hollywood blockbusters in Thai cinemas can often feel like finding a needle in a haystack. The selection is small. Screening times, often at odd hours, are limited. And those living outside of Bangkok -- far away from the arthouse spots like Lido and House RCA -- can't help but wonder: "Don't I have anything else to watch but Sully, Don't Breathe and Shin Godzilla this week?".
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LGBT stories get rare screen time
Life, Melalin Mahavongtrakul, Published on 16/08/2016
» How often is it that international LGBT films get a screening in Thailand? Not often at all, except when there's a film festival. This week, wonderfully strange as it may be, we're seeing not just one but two LGBT films on our silver screens. And the two couldn't be more different.
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Regional favourites, new and old
Life, Kong Rithdee, Published on 15/04/2016
» The 2nd Bangkok Asean Film Festival begins on Thursday at SF World Cinema, and will travel to Khon Kaen, Surat Thani and Chiang Mai later.
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The Darkest Hours
Life, Kong Rithdee, Published on 07/08/2015
» A psychosexual Thai gay film is a rare treat -- actually it's almost unprecedented. Anucha Boonyawatana's Onthakarn (The Blue Hour) arrives at SF cinemas this week with a strong tail wind after its premiere in Berlin in February. Nightmarish, oblique and deliberately disjointed, the film is in part ambient horror and in part a brooding drama about family violence centred around a gay teenager. We savour its chilly mood, its haunting wasteland of disaffected youth, though we sometimes wince at the stilted dialogue. What we see is also a confident switch between what's real and what's not, which is to say The Blue Hour is not something for the impatient and the literal-minded.
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