Showing 1 - 10 of 20
Prepare For Takeoff
B Magazine, Chanun Poomsawai, Published on 12/07/2020
» As their name implies, Khruangbin ("airplane" in Thai) primarily drew inspiration from the musical heritage of Thailand, particularly during the glorious 60s-70s.
Hip-hop's fresh, new voice
B Magazine, Chanun Poomsawai, Published on 26/01/2020
» The first time Thailand was bitten by the rap/hip-hop bug was way back in the mid-90s, when the then unknown Joey Boy introduced the sound and singlehandedly dominated the genre with a slew of hits ranging from Fun, Fun, Fun to Samakom Ta Chan Diew and Loy Talay. Despite being a playful, largely pop-oriented rapper, there's no denying that he was the one who paved the way for daring trailblazers like Fukking Hero, Buddha Bless and Thaitanium.
Off the leash
B Magazine, Chanun Poomsawai, Published on 20/10/2019
» "Dogs whine to communicate their physical, mental and emotional states..." At first glance, Dogwhine's artist bio reads like the opening to a freshman's college essay. Then, out of the blue, what initially appears to be a direct quote from the dictionary turns into a sly jab at the absurd prohibition on political gatherings of five or more people imposed by the junta: "Not all whines are created equally. Sometimes dogs gather to whine in group. When they come together more than five, they often get chased or taken away." Like hip-hop firebrands Rap Against Dictatorship who brought us the brilliant anti-junta Prathet Ku Mee (What's My Country Got), this Bangkok five-piece are unapologetically political from the outset.
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
A glow of satisfaction
B Magazine, Chanun Poomsawai, Published on 18/08/2019
» In 2017, the world got to know singer-songwriter Mattiel Brown and her band (guitarist Jonah Swilley, bassist Travis Murphy and drummer Jordan Manley) for the first time. Collectively called Mattiel, the up-and-coming quartet made quite an impression with their self-titled debut -- so much so that they garnered an endorsement from Jack White. Since then, the hype surrounding the band has been nothing short of palpable. People are genuinely excited by Mattiel's sound, which takes cues from rock'n'roll legends like The Ramones, The Rolling Stones and The Velvet Underground, and garage/punk icons like Patti Smith and The Clash.
In for the kill
B Magazine, Chanun Poomsawai, Published on 28/04/2019
» From debuting on CBS's The Late Show With Stephen Colbert to being the first K-pop group to perform at this year's Coachella, BLACKPINK are unstoppable in their quest for global pop domination, which is the ultimate goal that lies at the heart of South Korea's ongoing cultural export scheme. Like their label mates Big Bang and 2NE1, the Seoul-based quartet is meticulously designed by industry behemoth YG Entertainment. But what really sets BLACKPINK apart from their peers is their collective cosmopolitan edge -- Jisoo representing Korea, Lisa bringing the spicy Thai flavours and New Zealand-born, Australia-raised Rosé and New Zealand-raised Jennie completing the picture with their multicultural upbringing. Singing and rapping in Korean, Japanese and English, they're probably the first all-female idol group to have amassed an army of fans, endearingly known as "blinks", not only from Asia, but also North America and elsewhere, in just a few years.
J-pop gone rogue
B Magazine, Chanun Poomsawai, Published on 07/04/2019
» Anyone who's been to Japan (or spent a decent amount of time on the internet) would have probably come across T-shirts with puzzling or badly translated English. Perusing CHAI's pastel-hued website gives you a similar experience except that everything actually makes sense -- "We Are New Exciting Onna (female) Band From Japan! NEO KAWAII ! COMPLEX IS ART!," its meta description announces. A click and a quick scroll down also give you an overview on the group's "NEO KAWAII" ethos, which essentially goes against any notions of the classic kawaii ("You don't need to have big eyes or have skinny legs to be KAWAII! There should be many more types of KAWAII, and everyone is KAWAII in her own way … Our insecurities make us who we are. The insecurities become art. KAWAII is a never-ending journey!").
The sharpest tool in the shade
B Magazine, Chanun Poomsawai, Published on 27/01/2019
» We're not even a full month into 2019 and it seems like the Thai indie music scene is already readying itself for another year of solid offerings. Leading the pack is none other than The Dumbs, a Winai Kitcharoenjiranont solo project. If that name doesn't ring a bell, Winai is one of the co-founding members of The Charapaabs, an elderly-themed concept band who's bestowed upon us a series of memento mori-inspired cuts like Funeral Party, Annual Check Up and Hello Monday. (Side note: keep an eye out for a review of their long-awaited debut LP, Maha Moradok, coming next Sunday.) He's also the brain behind TypeThai, a popular Facebook page and a YouTube channel that celebrates-slash-satirises Thai idiosyncrasies in all their glory.
More play, please
B Magazine, Chanun Poomsawai, Published on 21/10/2018
» While a compilation of cover songs is not an earth-shattering concept by any stretch of the imagination, a good one does have the power to bridge the gap between eras and connect/re-connect generations of artists as well as listeners. Conceived in 2009 by the Thai media conglomerate GMM Grammy to celebrate its 25th anniversary, Play Project gave rock-leaning artists a chance to cover their favourite tunes in their own playful style. Its first edition saw the likes of Bodyslam, Potato, Clash and Paradox reinterpreting a range of Thai pop classics including Bird Thongchai's Sia Dai, Mai Charoenpura's Sia Jai Dai Yin Mai and Nantida Kaewbuasai's Lakorn Chaak Sud Tai.