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Showing 1-5 of 5 results
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The perfect murder
Life, Amitha Amranand, Published on 17/12/2015
» In B-Floor Theatre's Jaa Phantachat's latest creation Ceci N'est Pas La Politique (This Is Not Politics), the audience takes part in solving a murder mystery. No, this is not a mystery dinner. Rather, it's a kangaroo court, a quiz show and a reality show all rolled into one, where we willingly become the players, and unwittingly become the jury.
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Casualties of war
Life, Amitha Amranand, Published on 18/06/2015
» When we watch Thanapol Virulhakul's conceptual contemporary dance work, we are never only a member of the audience. We are witnesses to, sometimes even implicit in, the transgressions that are being played out on the stage — transgressions that are often masked in seemingly neutral and harmless images.
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Playing with roles
Life, Amitha Amranand, Published on 04/12/2014
» Two plays and a dance opened in Bangkok last Thursday. All three of which required their performers to play multiple roles.
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Coming back for murder
Life, Amitha Amranand, Published on 11/07/2013
» I have always loved a good old murder mystery, so I was particularly excited as I made my way into M Theatre on Saturday to see the Thai version of Agatha Christie's Go Back For Murder. Dreambox, the best troupe in Thailand for good old-fashioned fun, has brought rising stars and established names together for this engaging staging of the classic.
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The price of free speech
Life, Amitha Amranand, Published on 11/10/2012
» Pridi Banomyong Institute has always been an art venue of the smaller voices _ a refuge of sorts for the young, struggling artists, especially the politically minded ones. Theatre-goers know all too well that the venue is also home to two theatre companies, Crescent Moon Theatre and B-Floor Theatre, and their tiny rehearsal and performance spaces, Crescent Moon Space and B-Floor Room.
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