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Showing 1-4 of 4 results
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The old skeleton in the closet
Life, Kong Rithdee, Published on 05/04/2019
» Motherly ghosts are Southeast Asia's fiercest creatures, as they cling to their memories with a vengeance. In Marn-Da (The Only Mom), a Myanmar-Thai haunted-house horror, a motherless child wanders her old colonial house -- she was already dead, sure -- looking for love and hugs. When a new family moves in, the girl-ghost finds the perfect mother she never had and the old skeleton in the closet comes tumbling out.
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Cinema paradiso no more
Life, Kong Rithdee, Published on 18/08/2017
» Everything changes. It changes in its own time.Cells die. Cells grow. Death and birth happen all the time.Like the mind, it's gone before you even know. Like when I project a movie, a reel of film rotating at high speed looks like a still image.
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Santi-Vina finally comes home
Life, Published on 22/07/2016
» On July 15, the Thai Film Archive hosted the screening of Santi-Vina, the 1954 classic Thai film whose negative prints were thought to be lost before they were discovered at the British Film Institute in London two years ago. After a lengthy restoration process by a lab in Italy and a world premiere in Cannes, Santi-Vina returned home after six decades. The screening at Scala last Friday is sure to become a chapter in Thai cinema history: it was an emotional homecoming and the 800-seat theatre was full to the tilt, something that hadn't happened at the venue for a long time.
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Melancholic, dissonant memories
Life, Kong Rithdee, Published on 23/10/2015
» Jakrawal Nilthamrong's Vanishing Point is a story of loss, death, alternative destinies and reminiscence of sadness. It floats a few inches above the ground, it connects, disconnects and reconnects lives and fates, sometimes in a dissonant manner, and even though you may scratch your head wondering what exactly is going on, the film's semi-experimental style and narrative rupture has a strange intoxication.
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