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Getting soft power right
Life, Published on 08/01/2024
» After three months in office, the Srettha Thavisin government has raved on about populist policies in the guise of digital wallets and soft power projects that will create income to boost our declining economy. With optimism, we learned that Paetongtarn Shinawatra, Pheu Thai party leader and head of the National Soft Power Strategy Committee (NSPSC), has drafted a budget of 5.1 billion baht to boost festivals and creative industries. It is welcoming news to hear this government is priortising art, music, literature, design, fashion, film, food, games, sports and festivals as essential sources for the creative economy. Where this enormous chunk of budget will come from, like digital wallets, remains to be seen.
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A monument of emptiness and embarrassment
Life, Apinan Poshyananda, Published on 15/05/2023
» On Thiam Ruam Mit Road, Huai Khwang, a huge and empty building with a triangular façade has stood for years. A big plaque on the lawn in Thai translates to The National Gallery of Art. With no activities inside, people are left wondering when it will open. Is it true that there are plans to convert it into mixed-use spaces instead of a display of national treasures of modern and contemporary Thai art?
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Contemporary mediocrities
Life, Apinan Poshyananda, Published on 03/05/2021
» At the recent ribbon-cutting ceremony of the Office of Contemporary Art and Culture's (OCAC) Art Collection in the spacious art hall on Ratchadamnoen Avenue, a group of ageing male artists covered in sanitary masks surrounded the director of OCAC, Vimolluck Chuchart, who gave a self-congratulatory speech. She proudly announced that the public will be able to view for the first time the national collection of the Ministry of Culture's contemporary Thai art. Beside these elderlies stood a white giant fibreglass sculpture by Sutee Kunavichyanont in Thai military uniform wearing a helmet with a rifle erect. Sutee's Equality; Thai Soldier (2016) is inspired by the cultural mandates between 1939 and 1942 during the premiere of Phibul Songkhram that aimed to uplift the national spirit and moral code of the nation and instil progressive tendencies and newness into Thai life.
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