Showing 1-10 of 12 results
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Keeping theatre alive
Life, Amitha Amranand, Published on 27/05/2020
» How do you prove to the government you're a theatre artist? When large gatherings are banned and theatres are closed and your work deemed non-essential, how does that affect your income ? Or does it? Are you eligible for the government relief fund Rao Mai Ting Kan then? Is theatre-making a job in Thailand to begin with?
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Grace, beauty - and self-discovery
Life, Amitha Amranand, Published on 01/12/2017
» Unfolding Kafka Festival 2017 ended in Chiang Mai on Sunday. This year, under themes of gender identity, animals and folding and unfolding of the body and objects, the festival's performing arts programme doubled in size. Life reviews all the seven performances presented in Bangkok.
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Gender identity, animals and Kafka
Life, Amitha Amranand, Published on 02/11/2017
» Every two years, Jitti Chompee puts on his festival director's hat. The dancer-choreographer and founder of 18 Monkeys Dance Theatre founded Unfolding Kafka Festival in 2015. In its first year, the festival featured four performances, one installation and a workshop. This year, the performing arts portion of the festival has doubled in number.
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It's just not subversive
Life, Amitha Amranand, Published on 15/06/2017
» The latest play by director Wichaya Artamat of For What Theatre comes with this description: "A post-contemporary remodernist naturalistic surrealist romantic tragicomedy non-political performance." The Thai title of the play is Mai Mee Arai Ja Pood, which means Nothing To Say. The English title: What We Talk About When We Don't Talk About The Elephant In The Room.
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The historical made personal
Life, Amitha Amranand, Published on 06/10/2016
» We don't know where they are -- a man and a woman, he in a white three-piece suit, she in a white wedding gown. Soon we find out that they don't know where they are either. Then we find out who they are, but soon realise they are not sure.
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Freedom of the stage
Life, Amitha Amranand, Published on 22/05/2015
» Ornanong ThaisriwongPerformer, director | B-Floor TheatreRecent work: Bang La MerdUp next: See Wan Nai Deun Kanya (Four Days In September)
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Heart of darkness
Life, Amitha Amranand, Published on 25/07/2013
» In B-Floor Theatre's latest production (In) Sensitivity, directed by Dujdao Vadhanapakorn Boonyai, audience members move from one room to another in single file, like a stream of blood coursing from one heart chamber into another.
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Catch this disease
Life, Amitha Amranand, Published on 17/01/2013
» It comes as no surprise that after having studied and observed medical researchers working to combat tropical maladies, B-Floor Theatre sided with the diseases.
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Fusion and Confusion
Life, Amitha Amranand, Published on 06/12/2012
» This year, the International Dance Festival programme features, for the first time in 12 years, nothing but young and promising contemporary companies from Thailand, Singapore, South Korea, India, and the UK. And the quality of the performances they've brought shows a marked improvement from previous years. This past weekend alone, there were at least two productions worth exploring.
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Contemporary humour
Life, Amitha Amranand, Published on 07/06/2012
» Demo Classic Project 2 will be back next week, this time with a jolly comedy by director-actress-playwright Parnrut Kritchanchai of New Theatre Society.
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