Showing 1-10 of 26 results
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Saying goodbye to cultural giants
Life, John Clewley, Published on 18/01/2022
» The world of Thai country music (pleng luk thung) was reeling from news of the death of luk thung legend and National Artist Waipoj Phetsupan last Wednesday. Waipoj, 79, was one of the Big Four central Thai luk thung stars -- Chaichana Boonachote, Chai Muang Singh and Kwanjit Sriprachan, all National Artists, are the others -- all of whom are masters of all the central folk styles.
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The Pleasure's All Hers
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
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Indie rock done right
B Magazine, Chanun Poomsawai, Published on 09/02/2020
» "When I was 18/ Someone got stabbed in a church/ But I got used to it/ And forgave all the ways and the names/ It was so long ago, anyways," vocalist Jeremy Gaudet recounts on Murder In The Cathedral, the opening track to Kiwi Jr.'s debut album, Football Money. The vivid songwriting, buoyed by his bandmates' jangly instrumentation, is delivered with the kind of drawl that would have you thinking fondly of Pavement's Stephen Malkmus and The Strokes as well as the Modern Lovers' Jonathan Richman and Parquet Courts' Andrew Savage.
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… Baby one more time
B Magazine, Chanun Poomsawai, Published on 19/01/2020
» Over the past few years, LA-based artist Sondre Lerche has made it his own little tradition to cover pop hits from the year that's been as a holiday gift to his fans. His past covers range from Miley Cyrus' Wrecking Ball and Drake's Hotline Bling to Sia's Chandelier and Beyoncé's Countdown. To cap off the end of the decade, Lerche has stepped up his game by essentially pulling a Ryan Adams circa 2015. But, instead of Taylor Swift, it's the former queen of pop, Britney Spears.
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In Fine Style
B Magazine, Chanun Poomsawai, Published on 12/01/2020
» Since the dissolution of One Direction in 2015, Harry Styles has been striving for the kind of self-reinvention that would set him apart from his peers. And if the success of his 2017 eponymous solo debut is any indication, he's on the right path towards a flourishing post-boy band career, careening down the highway of 70s-style rock stardom à la Mick Jagger and David Bowie. On his latest studio album Fine Line, these classic rock stylings make way for soaring power pop laced with folk-rock and psychedelia. And despite the record's overall heartbreak theme, Styles sounds more at ease with himself than ever.
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Kamikaze's singers reunite
Life, Suwitcha Chaiyong, Published on 12/06/2019
» June must be a happy month for fans of singers from Kamikaze, since it will bring back two reunion shows of former top artists from the music label of the same name.
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Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.
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Returning to form
B Magazine, Chanun Poomsawai, Published on 31/03/2019
» It's hard to believe it's been nearly two decades since Ladytron unleashed its own version of electropop to the world. Hailing from Liverpool, the quartet of Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu first introduced themselves with their 2001 debut 604, a solid 16-track collection heavily influenced by the likes of Kraftwerk, New Order and Depeche Mode. In a period when the UK charts sounded a little uninspired (the No.1 singles ranged from JLo's Love Don't Cost A Thing to Limp Bizkit's Rollin' to Afroman's Because I Got High -- you get the idea), Ladytron's simmering cauldron of synth-pop and electro-industrial almost felt like an act of rebellion.
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Top 20 singles of 2018 (Part 2)
B Magazine, Chanun Poomsawai, Published on 30/12/2018
» As is tradition, we're wrapping up the year with a special two-part series featuring some of the best music to have come out locally and globally over the past 12 months. Culled from our 40-plus playlists stretching back to January, these tracks represent trends, cultural highlights and states of mind that reflect the times we're all living in (and trying to make some sense of). Without further ado, we're picking up right where we left off last week with our countdown to No.1. On that note, thank you for sticking with us until the very end -- here's to the new year of fewer whales choking on plastic bags, of nobody getting trapped in a cave, and maybe -- just maybe -- of an election.
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