Showing 1-10 of 320 results
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Just like honey
B Magazine, Chanun Poomsawai, Published on 11/11/2018
» In her own curated Spotify playlist "The Music That Inspired Honey", Robyn has put together more than a handful of tracks that helped will her long-anticipated sixth album into existence. Opening with the celebrated Soviet pianist Emil Gilels' rendition of Mozart's Piano Sonata No.14b In C Minor, K457: II Adagio, the playlist encapsulates her wide-ranging taste in music as it flits from the funk/soul/disco of the 70s (Gwen McCrae, George McCrae, Sylvester, Mary Clark) to a full spectrum of electronic music ranging from ambient and IDM to house and techno (Brian Eno, Aphex Twin, DJ Koze, Bicep, Roman Flügel). Listening to the record, one could almost trace all of these influences which are strewn across its nine tracks, precisely making up 40 minutes of thoughtful, unadulterated pop exhilaration.
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The Pleasure's All Hers
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
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Find your inner mystic
B Magazine, Chanun Poomsawai, Published on 02/02/2020
» It's been nearly half-a-decade since Dan Deacon's last album, Gliss Riffer, was unleashed onto the world. On that acclaimed 2015 release, the Baltimore-based composer tackled and found solace in the finality of life through head-spinning highlights like When I Was Done Dying and Sheathed Wings. It was also the first album since his debut LP, Spiderman Of The Rings, that he recorded and produced himself.
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Into the Great Unknown
B Magazine, Chanun Poomsawai, Published on 08/12/2019
» Over the years, avid neoclassical fans may have seen the name Anne Müller popping up alongside the genre's staples like Nils Frahm, Ben Lukas Boysen and Ólafur Arnalds. And for good reason -- the classically trained Berlin-based cellist and composer is known for her inventive approach to compositions, a skill which has manifested itself in her (perhaps best-known) contribution to Frahm's 2011 7fingers and 2017 Solo Collective Part I, a live project she co-founded with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds.
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Into Thin Air
B Magazine, Chanun Poomsawai, Published on 05/01/2020
» Fwends' former guitarist Yuki Suwansopa has described his solo project Dimming Air as "a kind of atmosphere that will have an impact on anybody, anywhere, anytime". Evidenced by early singles like Good Morning and First Sat On The Beach, this broad-view approach now gets translated fully into his debut LP, Love Letters In The Sand. And as you may have guessed from its title, the eight-track full-length debut draws inspiration from beaches and, according to the artist himself, is "full of captured moments/memories from the ocean".
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The age of angst
B Magazine, Chanun Poomsawai, Published on 01/12/2019
» Maybe it's a sign of the times, but taking a look at the young, emerging artists of today, you might notice that a great many of them tend to speak openly about their anxieties and insecurities. Much like her contemporaries Mitski, Hana Vu and Beabadoobee, 18-year-old singer Griff channels all of these feelings through unfiltered lyrics that read like a page out of her diary.
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Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
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Driving ambition
B Magazine, Chanun Poomsawai, Published on 13/10/2019
» Brisbane-born singer-songwriter and rapper Grace Shaw is not afraid to dream big. "Anything is possible if you just say that you're going to do it. That's honestly such a lifehack," she said recently in an interview with Fader. Shaw, who performs as Mallrat, went on to mention that she hopes to one day write songs for artists like Rihanna, Beyoncé and Camila Cabello. Her aspirations may sound rather ambitious, especially for a relatively new talent. But looking at the 21-year-old's resume, which includes two solid EP releases, a tour with fellow Aussie rapper Allday and opening for Post Malone, you can't help but wonder that she might be on to something.
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Death Becomes Us
B Magazine, Chanun Poomsawai, Published on 03/11/2019
» Well, what do you know -- Foals have managed to pull it off after all. The English indie-rock mainstay finally follows up their Everything Not Saved Will Be Lost Part 1, released back in March, with the second and final instalment. In Part 1, frontman Yannis Philippakis and co got political with tracks like Exits and Sunday while dutifully filling the quota for danceable indie bangers with On The Luna and In Degrees. On the production side, it swung from indie rock and new-wave to funk and disco -- a classic Foals album through and through.
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Off the leash
B Magazine, Chanun Poomsawai, Published on 20/10/2019
» "Dogs whine to communicate their physical, mental and emotional states..." At first glance, Dogwhine's artist bio reads like the opening to a freshman's college essay. Then, out of the blue, what initially appears to be a direct quote from the dictionary turns into a sly jab at the absurd prohibition on political gatherings of five or more people imposed by the junta: "Not all whines are created equally. Sometimes dogs gather to whine in group. When they come together more than five, they often get chased or taken away." Like hip-hop firebrands Rap Against Dictatorship who brought us the brilliant anti-junta Prathet Ku Mee (What's My Country Got), this Bangkok five-piece are unapologetically political from the outset.
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