Showing 1-10 of 21 results
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The Pleasure's All Hers
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
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In Plain Language
B Magazine, Chanun Poomsawai, Published on 07/06/2020
» "And that's fine/ I'm wasting away," vocalist Ian Devaney announces over nervy guitars on Tournament, the opening track to Nation of Language's debut album, Introduction, Presence. "I took the long road home/ And it never paid off for me."
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Dictated by night
Life, Chanun Poomsawai, Published on 08/03/2020
» NYC's Elliot Moss, although not without a few missteps, translates nocturnal musings into his most personal record so far
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Returning to form
B Magazine, Chanun Poomsawai, Published on 31/03/2019
» It's hard to believe it's been nearly two decades since Ladytron unleashed its own version of electropop to the world. Hailing from Liverpool, the quartet of Helen Marnie, Mira Aroyo, Daniel Hunt and Reuben Wu first introduced themselves with their 2001 debut 604, a solid 16-track collection heavily influenced by the likes of Kraftwerk, New Order and Depeche Mode. In a period when the UK charts sounded a little uninspired (the No.1 singles ranged from JLo's Love Don't Cost A Thing to Limp Bizkit's Rollin' to Afroman's Because I Got High -- you get the idea), Ladytron's simmering cauldron of synth-pop and electro-industrial almost felt like an act of rebellion.
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Footloose and fancy-free
B Magazine, Chanun Poomsawai, Published on 17/03/2019
» Over the past decade, Beirut's Zach Condon has been a go-to guy for what I like to refer to as "speciality indie rock". This is just a fancy way of saying that the music is unlike your typical indie sound. Beirut are masters when it comes to injecting world music elements into their repertoire, which has accumulated into a sizeable discography since their 2006 debut Gulag Orkestar. And although the boys may have faltered somewhat with previous effort No No No, they're back stronger than ever with their latest, Gallipoli.
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Tomorrow Starts Today
B Magazine, Chanun Poomsawai, Published on 24/02/2019
» From returning to college, starring in the Netflix series The OA and getting pregnant, New York-based singer-songwriter Sharon Van Etten has had a busy few years prior to the arrival of her fifth studio outing, Remind Me Tomorrow. The record, helmed by indie rock's go-to producer John Congleton (St. Vincent, Future Islands, Unknown Mortal Orchestra), reflects those changes in her life via a stylistic shift that emphasises less on the guitars, but more on other instruments like synths, pianos and even occasional drones.
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Top 20 singles of 2018 (Part 2)
B Magazine, Chanun Poomsawai, Published on 30/12/2018
» As is tradition, we're wrapping up the year with a special two-part series featuring some of the best music to have come out locally and globally over the past 12 months. Culled from our 40-plus playlists stretching back to January, these tracks represent trends, cultural highlights and states of mind that reflect the times we're all living in (and trying to make some sense of). Without further ado, we're picking up right where we left off last week with our countdown to No.1. On that note, thank you for sticking with us until the very end -- here's to the new year of fewer whales choking on plastic bags, of nobody getting trapped in a cave, and maybe -- just maybe -- of an election.
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It's all peachy
B Magazine, Chanun Poomsawai, Published on 09/12/2018
» Apart from the show's male winner Rangsan "Songkran" Panyaruen, The Voice Thailand Season 2 gave us a handful of female vocalists who'd showed strong potential including Violette Wautier and Rapeeporn "Lukpeach" Tantragoon. The former, as you may well be aware, has just started self-releasing her own music to wide acclaim. Lukpeach, on the other hand, found herself snug under the wing of Malama Collective, a co-op record label founded by Bangkok-based indie-music streaming platform Fungjai.
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Just like honey
B Magazine, Chanun Poomsawai, Published on 11/11/2018
» In her own curated Spotify playlist "The Music That Inspired Honey", Robyn has put together more than a handful of tracks that helped will her long-anticipated sixth album into existence. Opening with the celebrated Soviet pianist Emil Gilels' rendition of Mozart's Piano Sonata No.14b In C Minor, K457: II Adagio, the playlist encapsulates her wide-ranging taste in music as it flits from the funk/soul/disco of the 70s (Gwen McCrae, George McCrae, Sylvester, Mary Clark) to a full spectrum of electronic music ranging from ambient and IDM to house and techno (Brian Eno, Aphex Twin, DJ Koze, Bicep, Roman Flügel). Listening to the record, one could almost trace all of these influences which are strewn across its nine tracks, precisely making up 40 minutes of thoughtful, unadulterated pop exhilaration.
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