Showing 1-10 of 76 results
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A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
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A trip to Diamond Island
Life, Kong Rithdee, Published on 07/04/2017
» It's a story of Cambodia but also of Southeast Asia: the new rich built on the back of rural labour, young men who leave their homes in the countryside to carry bricks and build real-estate edifices in the capital. The promise of the future is built on the uncertainty of the present.
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Women in motion
Life, Kong Rithdee, Published on 24/05/2019
» In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.
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A Bigger Splash allows actors room to shine
Life, Kong Rithdee, Published on 15/07/2016
» Four characters, white and privileged, play out their favourite game of seduction. They frolic in the sun, nurse their ego, indulge in excesses, splash in the pool of a luxurious villa on an island in the Mediterranean -- also the island where dark-skinned migrants arrive like phantoms after their perilous journey across the sea.
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In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
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Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
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On the edge of sanity
Life, Kong Rithdee, Published on 17/01/2020
» In Robert Eggers' The Lighthouse, Willem Dafoe is a demented Poseidon, or perhaps a crazed, ocean-battered ex-sailor on the run from a Melville novel. Playing one of the two lighthouse keepers on a wind-whipped rocky islet in the Atlantic, circa 1890s, Dafoe turns up his mad-uncle mode, feral hair, chronic farting and drawling speech, plus a possessive relationship with the lantern -- the source of light atop the lighthouse (he refers to it as a "she").
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Staying afloat on a sea of despair
Life, Kong Rithdee, Published on 13/12/2019
» Chakra (Sarm Heng) is a Cambodian peasant boy who wants to escape a rural existence that offers him no future. "How's Thailand?" he asks a friend who returns from working at a construction site in Bangkok. "If you work hard, there's no problem," his friend assures him. Through trafficking agents, Chakra is smuggled across the border, but instead of being sent to a factory or a construction site, the boy is thrown onto a fishing trawler and forced to work without pay in conditions resembling a floating prison.
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Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.
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Ghosts of various stripes
Life, Kong Rithdee, Published on 14/09/2018
» Refugees, human-trafficking and a ravenous ghoul show the real and fantastical facets of Thailand in the movies showing this week at the Toronto International Film Festival.
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