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Showing 1-4 of 4 results
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The 'scene', in all its glory
Life, Amitha Amranand, Published on 28/12/2017
» It was a busy year for Thai theatre. Life highlights a few trends and picks the best productions of 2017
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Self-reflective play examines universal truths
Life, Amitha Amranand, Published on 30/03/2017
» Sineenadh Keitprapai and Thanaphon Accawatanyu, two generations of theatre artists, share stories of their dreams, homes and growing up and older in a touching, if not entirely satisfying, collaborative performance, Young Yao (Immature: Adult And Childish Sometimes).
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Kiss and make up?
Life, Amitha Amranand, Published on 16/10/2014
» On the page, sentences in Cloture De L’amour (Love’s End) snap off arbitrarily, words tumbling into the next line and the next. There is no real beginning or end to sentences, no capitalisation, no full stops, no commas. Onstage, a man and a woman try to end to their relationship with this same cascade of words.
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A beautiful bleakness
Life, Amitha Amranand, Published on 30/05/2012
» So much of the weight of Eugene Ionesco's Chairs comes from the spatial emptiness, the gap between humans, and the absence of beings. Yet in director Adjjima Na Patalung's hands, one brief moment of intimacy between an old man and his wife at the beginning of the play almost, for me, defined the void that followed and widened as the play progressed.
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