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  • News & article

    Unhappy Together

    Life, Kong Rithdee, Published on 27/11/2015

    » In By The Sea, a grieving couple arrives at a seaside town in France, a picturesque hamlet fronted by gravel beaches and craggy outcrops. He's Roland, a struggling writer, and he's played by Brad Pitt in what looks like a clear reminiscence of Ernest Hemingway. She's Vanessa, a dancer and a woman in irredeemable sorrow, and she's played by Angelina Jolie-Pitt, her face smeared by a haze of 1970s-style eyeshadow in what looks like a demented version of Sophia Lauren or Monica Vitti.

  • News & article

    In the kinky zone

    Life, Kong Rithdee, Published on 16/12/2016

    » No more debacle: Prabda Yoon's Rong Ram Tang Dao (Motel Mist) is finally in cinemas. Last month, just one day before the original release, the film's investor TrueVisions decided that they didn't like what they saw (despite the film having been finished 10 months earlier) and pulled it off the programme to the shock of many, chiefly the director. Rampant criticism of self-censorship followed. Now the filmmakers have decided to untie themselves from the deal and release the film on their own, so you can catch it now at SF CentralWorld, House RCA and Bangkok Screening Room.

  • News & article

    Smoke gets in your eyes, and it's fine

    News, Kong Rithdee, Published on 31/10/2015

    » Some countries in Southeast Asia have been covered in haze. For over a month, people in Indonesia, Singapore and Malaysia have found their visibility reduced by the thin veil of smog, the grey mist of infinitesimal particles that blankets their skies and streets. The cause is the illegal burning to clear farmland for palm oil plantations; the effect is a health hazard, an environmental threat and a political dent, especially for Joko Widodo.

  • News & article

    'The Act' shows us hate is the ugliest crime

    News, Kong Rithdee, Published on 05/10/2013

    » What was it like to kill? Dispatching people violently by the hundreds - neighbours, strangers, acquaintances, friends - one by one, by beating or strangling, by knife or by gun, with threats and smiles, all with the tacit consent of the army? How do they feel, after all these years?

  • News & article

    Enlisting agony

    Life, Kong Rithdee, Published on 17/08/2012

    » Two weeks ago, Alfred Hitchcock got a little help from bleary-eyed, worldwide critics to stare down Orson Welles. "King Kane dethroned," this page headlined the news that Vertigo finally unseated Citizen Kane, the champion of the past 50 years, to take the top spot in a once-every-10-year poll to find the Greatest Films of All Time. Such cinephilic pursuit, done by sedentary experts, is not remotely as stimulating as Bolt's or Phelps's photo-finish performances of recent memories, but greatness, like election, has to be justified at an appropriate interval, for public benefit. The canon needs to be reinforced, and here we're lulled into the land of the list.

  • News & article

    Feminine perspectives

    Life, Kong Rithdee, Published on 10/02/2012

    » In her smoky evocation of lost love, vintage romance and bewitching cello music, Madonna, at the helm of W.E., channelled Wong Kar-wai of the early millennium, doing that visual serenade of beautiful, distressing women who're in the mood for love. Wong sculpted melancholia out of gorgeous haze; Madonna's swirl of luxury and grainy jump-cuts merely drift, and then land somewhat in emptiness. Re-telling the story of "the greatest romance of the century" _ the one between Prince Edward and Wallis Simpson _ the Material Girl also gives us a story of a wife who's in the desperate mood for pregnancy. So much so that the effort crosses over from beautiful and tender to obsessive and self-sabotaging.

  • News & article

    In the mood for Marilyn

    Life, Kong Rithdee, Published on 13/01/2012

    » Marilyn Monroe was a real woman, but through the decades she has also existed as an image _ and an imagination. The later generation, appreciating Monroe in iconic, sex pot poses and perky screen persona, associates a wide gamut of ideas, fantasies and conjectures with her and her era, the '50s. A powerful presence on the screen (her movies lose meaning when she's not in the frame), she's also a blank page on which you supply your own surmises and assumptions, theories and conclusions. It says a lot when, in probably her most famous movie from 1955, The Seven Year Itch, Monroe plays a character with no name: it's enough to know her as The Girl.

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