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  • LIFE

    Farewell to a maestro

    Life, John Clewley, Published on 10/04/2024

    » The world of molam has been in mourning since news emerged that Thailand's greatest phin player Thongsai Thap Thanon passed away on March 20 at his home in Warin Chamrap district, Ubon Ratchathani, at the age of 77. The phin is a two- or three-stringed Isan Lao lute that is part of the trinity of molam instruments, along with the iconic khaen (free reed bamboo mouth organ) and the sor (fiddle).

  • LIFE

    Celebrating three decades of discovery

    Life, John Clewley, Published on 27/02/2024

    » World Beat celebrates 30 years on the music trail this month. The column started in Feb 1994 when Chuan Leekpai of the Democrat Party was in his first term as Prime Minister.

  • LIFE

    Fusing different musical worlds

    Life, John Clewley, Published on 13/02/2024

    » Klezmer is the music of Ashkenazi Jews, who created the music in Central and Eastern Europe in the 16th century. Although mainly instrumental, the music is usually sung in Yiddish. It was hugely popular before the destruction of Yiddish communities in Central Europe during the Holocaust. Professional Klezmer musicians who escaped to the US founded large klezmer orchestras in the first two decades of the 20th century, who competed with jazz ensembles and Irish big bands in New York.

  • LIFE

    The world beat goes on

    Life, John Clewley, Published on 04/01/2023

    » This year the entertainment business returned to some form of normality after the hard slog of lockdowns and lack of customers. It was good to see music lovers back at festivals and clubs. And the best festive season present of all was the performance of Ethiopian legend Hailu Mergia and his trio at Studio Lam on Dec 21.

  • LIFE

    The beat goes on

    Life, John Clewley, Published on 19/12/2023

    » Molam continues to evolve with time. Musicians, especially from Isan, are experimenting with new musical combinations, creating new hybrids and sounds.

  • LIFE

    A joyous sound

    Life, John Clewley, Published on 07/11/2023

    » In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.

  • LIFE

    Cambodian rock via LA

    Life, John Clewley, Published on 21/11/2023

    » Los Angeles-based band Dengue Fever has released a new studio album, Ting Mong (Tuk Tuk Records, USA), their first for eight years. The release marks the Cambodian-US band's 20th anniversary since their acclaimed self-titled debut in 2003.

  • LIFE

    A timeless musician

    Life, John Clewley, Published on 26/09/2023

    » Eliades Ochoa was a key member of the legendary Buena Vista Social Club, which was established in 1996 and organised into a stellar ensemble of Cuban musicians, many of whom performed Cuban music of the 1940s and 1950s -- bolero, son and danzon. An album was released to great acclaim and a film documentary of the group garnered an Academy Award for director Wim Wenders.

  • LIFE

    Top tunes this June

    Life, John Clewley, Published on 20/06/2023

    » Veteran kora master Toumani Diabaté and Kayhan Kalhor soar to the top spot on the June edition of the Transglobal World Music Chart with a new release on Real World, The Sky Is The Same Colour Everywhere. Diabaté is well-known for his cross-cultural collaborations, from his early days with Ketama, a flamenco, jazz, West Africa fusion, to later work with the London Symphony Orchestra (Korolen), while Kalhor is an award-winning Kurdish-Iranian master of the kamancheh (fiddle) and setar (lute).

  • LIFE

    The sounds of Africa

    Life, John Clewley, Published on 09/05/2023

    » The Malian singer/songwriter and guitarist Fatoumata Diawara emerged in 2011 with the EP Kanou and quickly after came her debut and breakthrough release Fatou (Nonesuch, World Circuit). Fatou, which features Diawara's self-penned songs and electric guitar playing (which she claims was a first for a Malian woman) catapulted her to international fame. She has a unique sound, created out of her Southern Malian wassollou roots and Western music she learned growing up in Paris.

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