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  • LIFE

    Post-apocalyptic survival

    Life, Kaona Pongpipat, Published on 18/09/2015

    » Hitting cinemas in Thailand yesterday, Maze Runner: The Scorch Trials, a sequel to the film series by director Wes Ball based on James Dashner's young-adult science fiction trilogy, is a direct continuation from its first instalment last year, which earned over US$345.5 million (12 billion baht) at the box office worldwide.

  • LIFE

    Decking the walls

    Life, Kaona Pongpipat, Published on 15/02/2017

    » Bangkok's three newest art spaces - ApArt, Future Factory and Most Gallery.

  • LIFE

    Loud paintings

    Life, Kaona Pongpipat, Published on 13/01/2016

    » Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".

  • LIFE

    Where time and space cease to exist

    Life, Kaona Pongpipat, Published on 02/11/2016

    » How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.

  • LIFE

    Rock of ages

    Life, Kaona Pongpipat, Published on 20/09/2016

    » In 1992, Moderndog as students went onstage in The Coke Music Award with the sole intention of messing things around -- it was at the time a relatively sombre affair with a lot of bands opting for jazz. "It was the only chance we had to make loud noise in the Chulalongkorn University Auditorium," said the band's lead singer Thanachai Ujjin in a recent interview with Life.

  • LIFE

    Cool, complicated art

    Life, Kaona Pongpipat, Published on 27/05/2015

    » This month's Art Matters runs the whole page. Should you find the idea unbearably tedious, here's a solution: the next paragraph pretty much sums up what's going on in the Bangkok art scene and, once done, you can go continue with more enjoyable things in life. Here goes:

  • LIFE

    The politics of love

    Life, Kaona Pongpipat, Published on 08/09/2016

    » Thanapol Virulhakul, critically-acclaimed stage director and choreographer, has a way of giving space a certain significance. His take is usually minimalistic, the stage bare and his actors assigned with limited set of movements, and it is the relentless repetition of those elements that would slowly make up the storyline and become part of the blow in the end.

  • LIFE

    Sense behind the madness

    Life, Kaona Pongpipat, Published on 08/07/2016

    » One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.

  • LIFE

    Exhibition asks, 'Has happiness returned to Thailand?'

    Life, Kaona Pongpipat, Published on 27/07/2016

    » If "Fear" -- Manit Sriwanichapoom's latest photography and video show, which opened over the past weekend at H Gallery, Tang Contemporary Art and Kathmandu Photo Gallery (and at Yavuz Gallery in Singapore at the end of the month) -- isn't the hottest topic of discussion in the capital's art scene already, it soon will be.

  • LIFE

    The future, in reverse

    Life, Kaona Pongpipat, Published on 08/06/2016

    » On the surface, artist Apichatpong Weerasethakul's video of a night journey through a temple doesn't seem to be in dialogue with photographs of Sakhalin island by Japanese Tomoko Yoneda. Nor does there seem to be any connection between Field Recordings' video work documenting migrant workers on the banks of Shanghai's Huangpu River and MAP Office's incredibly detailed imaginary map of "future Hong Kong".

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