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  • News & article

    Changing the narrative

    Life, Kong Rithdee, Published on 02/09/2022

    » A man returns home from work in Malaysia after Covid-19 struck, then gets lost in a bureaucratic labyrinth trying to get government handouts. Another woman finds a job at a factory, but the rules require her to compromise her faith. In Yala, a skater boy sets out in search of a friendly park where he can enjoy his ride. A hijab-wearing K-pop fanatic is getting married to a man who has just converted to Islam. And in a Pattani family, a young man watches his mother being possessed by a spirit, possibly a black-magic attack from his business rival.

  • News & article

    Deep in the paradox

    Life, Kong Rithdee, Published on 25/05/2022

    » In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?

  • News & article

    A long crusade against healthcare woes

    Life, Kong Rithdee, Published on 16/04/2021

    » Colectiv, a Romanian documentary film nominated for two Oscars, watches in terror as the Romanian healthcare system practically collapses before the camera. The film elicits a series of gasps, as one shocking revelation leads to another, and another: procurement frauds, bureaucratic incompetence, corruption, nepotism, murder, mass bribery, healthcare mafia, maggots crawling on the head of a patient -- a living patient -- and finally, an election whose preposterous results ring too many familiar bells.

  • News & article

    Asean on screen

    Life, Kong Rithdee, Published on 02/09/2020

    » Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work

  • News & article

    Uncle Boonmee at 10

    Life, Kong Rithdee, Published on 22/05/2020

    » Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.

  • News & article

    Eyes wide open

    Life, Kong Rithdee, Published on 08/05/2020

    » The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).

  • News & article

    Underwater folly

    Life, Kong Rithdee, Published on 12/06/2019

    » In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.

  • News & article

    A night of surprises, some splendid

    Life, Kong Rithdee, Published on 28/05/2019

    » The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.

  • News & article

    An imperfect world

    Life, Kong Rithdee, Published on 21/05/2019

    » Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?

  • News & article

    Diving into the cave

    Life, Kong Rithdee, Published on 09/01/2019

    » Of all the films scheduled to come out in 2019, one will return Thailand to the headlines. Various projects based on last year's dramatic rescue of the 12 Wild Boars footballers and their coach have been touted, and now a Thai film has completed principle photography and is going through post-production.

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