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Laos turns up a winner
Muse, Melalin Mahavongtrakul, Published on 29/04/2017
» Stepping off of the red carpet, the gorgeous Lao star Vilouna Phetmany -- known by her stage name Tot Lina -- began to greet us in perfect Thai. On Wednesday, she attended the gala opening of the Bangkok Asean Film Festival, shining among the regional superstars. Tomorrow the festival will screen the film she stars in, a new-wave Lao horror called Nong Hak, before it goes into general release on May 18.
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Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
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A new vision on Siam's enduring symbol
Life, Kong Rithdee, Published on 26/04/2017
» The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.
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The old skeleton in the closet
Life, Kong Rithdee, Published on 05/04/2019
» Motherly ghosts are Southeast Asia's fiercest creatures, as they cling to their memories with a vengeance. In Marn-Da (The Only Mom), a Myanmar-Thai haunted-house horror, a motherless child wanders her old colonial house -- she was already dead, sure -- looking for love and hugs. When a new family moves in, the girl-ghost finds the perfect mother she never had and the old skeleton in the closet comes tumbling out.
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Soulful, sorrowful, tragic
Life, Kong Rithdee, Published on 28/08/2015
» Amy is a biographical documentary of the singer Amy Winehouse, but it is also a horror film. Watching it is like watching a ghost, a confused, tortured ghost of a woman who has boundless talent in singing and none in living. As we watch Amy Winehouse -- in home video footage, concert recordings, TV interviews, etc -- it hits us that we're watching her being killed slowly at every passing minute; killed by herself, her addiction, and by the cruel ecosystem of the fame industry that feeds first on her gift then more voraciously on her downfall. This is one of the best documentary films this year, and in some parts it's also one of the hardest to watch.
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View from the Far South
Life, Kong Rithdee, Published on 06/12/2019
» Young men lie face-down on the floor, their hands tied at the back. Uniformed officers punch and kick them. "Squeeze in!" they shout at the men on the ground. More kicks, more punches.
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Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
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Into the strange forest
Life, Kong Rithdee, Published on 09/09/2016
» The dirt road is dry and red, scorched by the Isan sun. The headmaster is wary, sardonic, and enervated by the heat. The students, or at least some of them, are bored and ironic ("What do you want to be when you grow up?" a teacher asks. "A bank robber," he deadpans.) Next to this poor state school is a forest, sun-dappled, mysterious and probably haunted. Girls are warned not to go in there because they may never come back out.
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Colourful journey into Thailand's soul
Life, Kong Rithdee, Published on 20/01/2017
» The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.
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Windows on the world
Life, Kong Rithdee, Published on 28/09/2017
» As Hussain Currimbhoy sees it, this is a golden age for documentary filmmaking, a time when the criss-crossing narratives of the world tangle with audiences' growing suspicion over traditional media. The emergence of streaming services has also revolutionised distribution philosophy and connected doc-makers with audiences in ways unseen before, especially with audiences who once had little interest in documentary titles.
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