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  • News & article

    The rough road to redemption

    Life, Plalai Faifa, Published on 12/04/2013

    » The Korean filmmaker Kim Ki-duk has packed so much lurid material and high melodrama into his latest film, Pieta, that the weakness of its dramatic punch can't be chalked up to a lack of trying. The ease with which it can be shrugged off is especially intriguing because the performances and production values are so impressive.

  • News & article

    Cinematic chameleon

    Life, Plalai Faifa, Published on 15/02/2013

    » One of the secondary pleasures that certain movies offer to true addicts is the chance to spot affectionate nods to favourite films that their creators have slipped into them. These can be parodies of famous scenes and images that everyone is expected to recognise _ King Kong on top of the Empire State Building, the shower scene from Psycho, practically anything from Casablanca _ but are more revealing when they come from more obscure films that have special meaning for the director and give some insight into where his heart lies.

  • News & article

    The end of days

    Life, Plalai Faifa, Published on 16/11/2012

    » Viewers who have followed Bela Tarr's ongoing chronicle of humankind succumbing to terminal misery and entropy will find the process reaching its bitter end here (the word is that it is the director's final film, his definitive statement). The Turin Horse is a cinema snob's wet dream: shot in the bleakest black and white with Hungarian dialogue (very little of it), filled with takes that go on for long minutes in which virtually nothing happens, a mood of intensifying breakdown and despair that culminates in complete stasis. Not a lot here for the Great Unwashed, the Batman crowd, but even they will have to admit that the film is stunning to look at, whether or not it really works as a whole and does justice to its colossal theme.

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