Showing 1-10 of 64 results
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A quiet weekend of dance
Life, Kaona Pongpipat, Published on 15/12/2016
» The 11th International Butoh Festival kicked off last week with performances Sonata For An Uninhibited Body by Rosana Barra, Oju Obá -- The Eyes Of The Falling King, The Eyes Of The Rising King by Calé Miranda and Indonesian performer Tony Broer's untitled show. Awaiting Butoh fans on this second and final weekend is one of the festival's highlights: Quiet House, a collaboration piece by Japan's Takayuki Takita and Yuko Kawamoto, and Teerawat Mulvilai from B-Floor Theatre.
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Opening doors
Life, Kaona Pongpipat, Published on 02/12/2016
» From now until March, a weekend in Hua Hin will no longer be just about seaside activities or a stroll around night markets. Launched earlier this month, Vic Hua Hin's inaugural "Theatre Season", a festival of music, dance and stage performances and film screenings, will keep both locals and visitors busy every weekend.
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A rather fruity affair
Life, Kaona Pongpipat, Published on 24/12/2015
» The second edition of Wonderfruit, a four-day festival of arts, ended late last weekend. And now there's already a common saying: "You have to be rich to get drunk at Wonderfruit."
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Let the music play
Life, Kaona Pongpipat, Published on 17/06/2016
» It's not just the logo that's been given a revamp. The festival of art and culture La Fête by the French Embassy, after 11 continuous years, is establishing a new time-frame -- cultural festivals and events previously crammed within about a month will now stretch over the whole year.
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All aboard the magical molam bus
Life, Kaona Pongpipat, Published on 15/12/2015
» At the second edition of Wonderfruit, a four-day arts and lifestyle festival which begins this Thursday, we don't only have international acts to look forward to. Sure, there's soulful lyricism from rapper Yasiin Bey (AKA Mos Def), the much-hyped R&B duo Rhye whose songs like Open are sure to transport you into a trance, and Com Truise's catchy synth pop. But at the festival our home-grown bands have a lot to offer too.
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Don't be afraid to have fun
Life, Kaona Pongpipat, Published on 11/02/2016
» With cartoons, it's her recreation of incidents -- with simple drawings and snappy dialogue -- which draw our attention to the significance that lies hidden in the mundane. With her illustrations -- oftentimes incredibly detailed and reminiscent of Martin Handford's Where's Wally? series -- there is an in-depth knowledge about Thai society and characters of people that is colourfully imbued.
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Becoming blissfully aware
Life, Kaona Pongpipat, Published on 08/05/2015
» Jenjira Pongpas has no clue what Blissfully Yours, the 2002 Cannes Film Festival's Un Certain Regard prize-winning film by director Apichatpong Weerasethakul, is all about. Not while first reading the script, not while acting it in, not after the film won the prestigious award that heralded Thai art house cinema, and not even today.
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No apologies for Sari
Life, Kaona Pongpipat, Published on 24/03/2015
» It was a full house at Aksra Theatre earlier this month for the performance, Sari, by the Daksha Sheth Dance Company, a programme that was part of this year's Festival of India In Thailand. Throughout the one-hour performance, dancers moved with yarn and strips of cloth, along with fluid stage lights and accompanied by original a cappella songs.
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The Island Funeral scoops prestigious film award
Life, Kaona Pongpipat, Published on 06/11/2015
» Several years in the making, director Pimpaka Towira's feature film The Island Funeral (Maha Samut Lae Susan) won the Asian Future Film Award at the 28th Tokyo International Film Festival last weekend. The award, which was established two years ago, is given to the best work by first- and second-time directors.
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Rocky road of life
Life, Kaona Pongpipat, Published on 03/03/2016
» Bangkok-based English-speaking theatre troupe Peel the Limelight's previous performance, The True History Of The Tragic Life And Triumphant Death Of Julia Pastrana, was quite a success at Bangkok Theatre Festival last year winning Best Direction of a Play and Best Performance by an Ensemble from the International Association of Theatre Critics (Thailand Centre). Now, they are back with yet another promising production of the Pulitzer Prize-winning How I Learned To Drive by the American playwright Paula Vogel.
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