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Showing 1-6 of 6 results
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Cover art
Life, Published on 16/01/2023
» At SAC Gallery, visitors wonder whether images of book covers at the exhibition "Old Wound" are real covers or paintings. Visitors are in doubt because each image depicts a worn-out book in elaborate detail, with scuffing, stains and spotting visible on the cover.
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Exploring different heritages
Life, Suwitcha Chaiyong, Published on 25/05/2022
» Thailand is a country with cultural diversity. The "Red Area And Black Spirit" art exhibition presents two cultures that reflect the differences between two woodcut artists -- Chayasit Orisoon and Warisara Apisampinwong. While Chayasit showcases Song or Tai Dam culture in his "Black Spirit" room, Warisara exhibits Chinese-Thai culture in her "Red Area". Both Chayasit and Warisara are colleagues who earned a master's in visual arts from Silpakorn University. Since their woodcut pieces involve culture, they decided to hold the exhibition together at the People's Gallery, Bangkok Art & Culture Centre.
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Protection in a time of strife
Life, Published on 07/07/2021
» Number 1 Gallery presents "Apart But Together", a soothing exhibition that will encourage everyone to get through these difficult times with strength and grace.
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Saluting the late ML Usni Pramoj with melody
Life, Published on 28/08/2017
» Pro Musica will pay tribute to its founder, the late ML Usni Pramoj, with a concert entitled "Saluting The Maestro" at Siam Society, Asok Road, on Sept 6 at 7pm.
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Sex, truth & politics
Life, Kong Rithdee, Published on 11/09/2017
» In Uthis Haemamool's new novel, the protagonist's erotic adventure runs parallel to Thailand's political education. A man's carnal quests and sexual outbursts become, in a way, an allegory of a larger social context as the country goes through three coups d'etat and several convulsive protests in the past 25 years. The awakening of the loin as a metaphor for political orgasm, physical penetration as an analogy for abuses of power -- <i>Rang Haeng Pratana</i> (Silhouette Of Desire) is a novel that, Uthis admits, presents him with many risks as a writer.
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Threading her way through Islam
Life, Kaona Pongpipat, Published on 08/09/2016
» The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.
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