Showing 1 - 10 of 34
Highbrow picks from Netflix
Life, Kong Rithdee, Published on 01/05/2020
» Cannes Film Festival, the annual jamboree of world cinema usually taking place in May, has been postponed until further notice. In its absence, we delve into the Netflix menu and find four films that made their debut at Cannes over the past decades and made a noise in their own way.
A night of surprises, some splendid
Life, Kong Rithdee, Published on 28/05/2019
» The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.
All eyes on Asia
Life, Kong Rithdee, Published on 05/10/2018
» Asia's premier cine-event took off last night. The 23rd Busan International Film Festival once again draws all attention to the South Korean port city as it hosts the annual showcase of films, especially Asian films. One part to promote the South Korean film industry -- a formidable machine of creativity and commerce -- and one part to reign as a centre of filmmaking activity in this part of the world, Busan has gone through some bumps, political and managerial, but remains steadfast in being in the biggest in Asia.
All in the family
Life, Kong Rithdee, Published on 14/06/2018
» You know you're walking into a horror movie, but the brilliance of Ari Aster's Hereditary is the way it deftly hides its cards and stacks up mystery upon mystery, secret upon secret, madness upon madness, until everything unravels in demonic hellfire. The film ticks all the familiar elements of a ghost story -- a dead grandma, a spooky house, a grave robbery, a candlelit seance where spirits are summoned, a sleepwalker roaming the dim corridor, an occult sign written on the wall, a couple of headless corpses, etc -- but Hereditary rises above the genre formula with its coolly composed formalism, its deliberate pacing, and its sly psychological manipulation that almost convinces us at certain points that this is more of a domestic drama than a horror movie.
Hoping to take the top prize East
Life, Kong Rithdee, Published on 16/05/2018
» Asian filmmakers have so far fielded a strong force at the 71st Cannes Film Festival, and when the Palme d'Or is decided on Saturday by the Cate Blanchett-led jury there's a real chance that the top prize might go to one of the Asian titles -- after a Turkish film in 2014 (Winter Sleep) and a Thai film back in 2010 (Uncle Boonmee Who Can Recall His Past Lives).
Truth and lies
Life, Kong Rithdee, Published on 11/05/2018
» By some description, this is one of the most political editions of Cannes Film Festival in recent memory, both on screen and off. After three days, the brouhaha over #MeToo (the festival has a dedicated hotline for sexual harassment report, which begs the question: why here and now?), the comment by Jury President Cate Blanchett on the small percentage of female filmmakers in the programme, and the fact that two of the directors whose films are in the competition are under house arrest in their respective countries (Iran and Russia) -- all of this cast a mixed shadow over the 71st edition of the world's largest film festival that still boasts influence and glamour while struggling to maintain its relevance.
A surprise behind the door
Life, Kong Rithdee, Published on 09/03/2018
» The house sits deep in the woods, near a cemetery staked with tombstones. The family consists of a father, reeling in debt, and his four children, the eldest 22 and the youngest six. The mother is ill, ashen-faced, bedridden, and she'll jingle the brass bell in her hand to summon help. That jingling bell, and the apparition of a woman in a white gown in the mother's gloomy bedroom, will signal the cue of many jump-scares in the tale that unfolds.
Oscar contenders from around the world
Life, Kong Rithdee, Published on 10/11/2017
» A record 92 films have been submitted to the Oscar Foreign Language Film category. We take a look at some
The inciting incident
Life, Kong Rithdee, Published on 06/10/2017
» On Sept 24, 1976, two electricians were beaten and hanged to death from the top of a gate somewhere in Nakhon Pathom, victims of an escalating right-wing terror in Thai politics of that heady decade. Two weeks later, as protests against the return to the Kingdom of former dictator Gen Thanom Kittikajorn gathered steam, students at Thammasat University staged a play about the hanging of the two men. Soon the photographs of the play were used by nationalists to whip up anger and fear of communism, which led to the massacre on the morning of Oct 6 as police and militias laid siege to the university, killing, maiming and brutalising scores of people in one of the worst incidents of bloodshed in modern Thai history.