Showing 1-10 of 15 results
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Bergman’s enigmatic masterpiece
Life, Plalai Faifa, Published on 02/05/2014
» Ingmar Bergman’s most memorable films almost always drew on his personal memories and especially his personal torments. But by the time Persona was released in 1966, even his greatest admirers may have been tiring of his ongoing argument with God, which he had been chronicling on-screen for a decade.
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British grand guignol
Life, Plalai Faifa, Published on 07/03/2014
» Fans of two films that stand near the top of the long list of British supernatural thrillers, Nicolas Roeg’s Don’t Look Now and multi-director shocker Dead Of Night were poorly served on DVD. Although the image quality in both cases was acceptable, the soundtracks had deteriorated dreadfully. Listening to the main title music of either film was an experience to make the teeth itch, and the screechiness the degraded soundtrack inflicted on young Sally Ann Howes’s voice in Dead Of Night was real fingernails-on-blackboard torture.
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Subtle spooks
Life, Plalai Faifa, Published on 21/03/2014
» Horror films are everywhere now, with zombies and vampires rampant, but we don’t see many traditional ghost stories. The reason isn’t hard to guess — most of the audience for horror consists of young gore geeks who drop off to sleep if 15 minutes pass without someone munching someone else’s guts. When they wake up, the verdict is announced — boring!
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Like they were shot yesterday
Life, Plalai Faifa, Published on 30/08/2013
» When Blu-ray discs appeared several years ago there were dire predictions about their future. With film lovers already downloading or renting movies online, the same thing seemed to be happening with cinema that had happened with music: people were willing to sacrifice video and audio quality to have the movie they wanted to see appear on the screen then and there.
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The hidden language of the soul
Life, Plalai Faifa, Published on 01/02/2013
» In 2009 German director Wim Wenders was preparing to make a documentary film about the great German dancer and choreographer Pina Bausch when her heavy smoking caught up with her and she died within a few days of receiving a cancer diagnosis.
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Cinematic chameleon
Life, Plalai Faifa, Published on 15/02/2013
» One of the secondary pleasures that certain movies offer to true addicts is the chance to spot affectionate nods to favourite films that their creators have slipped into them. These can be parodies of famous scenes and images that everyone is expected to recognise _ King Kong on top of the Empire State Building, the shower scene from Psycho, practically anything from Casablanca _ but are more revealing when they come from more obscure films that have special meaning for the director and give some insight into where his heart lies.
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Deadly by design - a film noir masterpiece
Life, Plalai Faifa, Published on 14/12/2012
» There are very few good people in Robert Aldrich's Kiss Me Deadly, and those who do appear are on the screen for only a few minutes, usually terrified and trembling at the doom that they know awaits them. The world is never a hospitable place in the film noir movies made in Hollywood during the late 1940s and early 1950s. All are steeped in the mood of pessimism created by World War II with its extermination camps and nuclear bombings. But Kiss Me Deadly, released in 1955, is the most hopeless and least romantic of them all.
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A life less ordinary
Life, Plalai Faifa, Published on 04/01/2013
» Movies about addiction date in interesting ways. Seen today, Billy Wilder's The Lost Weekend, whose lurid treatment of alcoholism made the film a bombshell of controversy in 1945 (it may have been the first movie to present alcoholism as a disease rather than a character flaw) and won it a shelfful of awards, looks antiquated now. Its overwrought dialogue and posture of appalled shock at behaviour that subsequent films have made familiar to the point of cliche haven't aged well.
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The end of days
Life, Plalai Faifa, Published on 16/11/2012
» Viewers who have followed Bela Tarr's ongoing chronicle of humankind succumbing to terminal misery and entropy will find the process reaching its bitter end here (the word is that it is the director's final film, his definitive statement). The Turin Horse is a cinema snob's wet dream: shot in the bleakest black and white with Hungarian dialogue (very little of it), filled with takes that go on for long minutes in which virtually nothing happens, a mood of intensifying breakdown and despair that culminates in complete stasis. Not a lot here for the Great Unwashed, the Batman crowd, but even they will have to admit that the film is stunning to look at, whether or not it really works as a whole and does justice to its colossal theme.
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Long-delayed opus well worth the wait
Life, Plalai Faifa, Published on 10/08/2012
» Filmed in 2005, Kenneth Lonergan's Margaret was held in limbo for years by legal battles before a cut version was released in 2011.
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