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  • News & article

    Death by a thousand cuts

    Life, Chris Baker, Published on 09/07/2021

    » The film director Apichatpong Weerasethakul, is the most celebrated Thai creative artist in the world today, awarded the Palme d'Or at Cannes in 2010 and a string of other international prizes. After wrestling with the Thai censors, he decided first to stop showing his films in Thailand, and then to stop making his films here. He has recently been making a film with an international star cast in Colombia, almost exactly the opposite point on the globe, the farthest possible distance from Thailand on the planet.

  • News & article

    Judging by the cover

    Life, Chris Baker, Published on 02/09/2022

    » We first published A History Of Thailand in 2005, 17 years ago. We have just prepared a fourth edition, adding a new chapter on the extraordinary events since 2005, and over 200 other changes based on new research, mostly by Thai historians. We needed a new cover to signal that this edition is really different.

  • News & article

    Safeguarding a saga

    Life, Chris Baker, Published on 04/02/2020

    » Under the Khmer Rouge regime in the late 1970s, Cambodian arts were almost crushed out of existence. The Royal Ballet was famously revived in the 1980s, but Cambodia also had popular traditions of music, dance, drama and puppetry. In 1998, a group started to revive these. They located surviving artists to teach a new generation of children in villages, schools and temples.

  • News & article

    Understanding China's banks

    Life, Chris Baker, Published on 26/01/2017

    » Every couple of years now, a book appears predicting the imminent crisis, breakdown, collapse or disintegration of China. The professor Cassandra touting a recent example passed through Bangkok last week. Among such works there is a subset that focuses on finance, especially banking. These books and articles argue that China's banks are inefficient because of government control; that they are racking up debt, much of which is hidden; and that, unless they are quickly privatised, they will be the spark for the aforesaid crisis, breakdown, collapse, or disintegration. In the last month, I have twice been treated to this argument first-hand, once from an American and once from a Japanese.

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