Showing 1-10 of 70 results
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A joyous sound
Life, John Clewley, Published on 07/11/2023
» In 2001, the legendary US Gospel group Blind Boys of Alabama released an album on Peter Gabriel's Real World Records label. It was a hugely popular album which garnered the band a Grammy Award for Best Traditional Soul Gospel Album. It included their version of Tom Wait's song Way Down In The Hole, which was the theme song for the TV miniseries The Wire. Their version is better than Waits' in my view.
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And ya don't stop!
Life, John Clewley, Published on 16/08/2023
» On Aug 11, New York City celebrated the 50th anniversary the birth of hip-hop with exhibitions, concerts and street art across the five boroughs.
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Suave guitar grooves
Life, John Clewley, Published on 28/03/2023
» The late Malian singer and guitarist Ali Farka Toure took his music on the road, travelling from his beloved farm in Niafunke, in northwestern Mali, to thrill audiences around the globe, until his untimely death in 2006.
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The sound of the Balkans
Life, John Clewley, Published on 28/02/2023
» One of the Balkan's best-known bands is Mostar Sevdah Reunion, whose 12th studio album Lady Sings The Balkan Blues (Snail Records, Bosnia and Herzegovina) is currently riding high on the World Music charts. The band is something of a Bosnian institution, carrying the torch for updated versions of folk music, in this case, sevdalinka music of Bosnian Muslims.
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Country comes to the city
Life, John Clewley, Published on 31/01/2023
» The All-Thidsa Molam Band was in Bangkok this past weekend to perform at the Thailand International Jazz Conference. World Beat caught up with band last Friday when they played two sets at Isan Spicy BBQ, a rooftop bar at the Jim Thompson Art Center.
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When East meets West
Life, John Clewley, Published on 17/01/2023
» In 2017, the Japanese band Minyo Crusaders released their debut album, Echoes Of Japan (P-Vine, Japan), to great acclaim. The band's reworking and updating of Japanese folk music, or minyo, on a rhythmic bed of Caribbean, Latin and Afrobeat was truly inspired, and perhaps pointed the way for other fusion bands in East and Southeast Asia. The aim was to revive minyo as "music for the people", as quoted by World Music Central.
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The world beat goes on
Life, John Clewley, Published on 04/01/2023
» This year the entertainment business returned to some form of normality after the hard slog of lockdowns and lack of customers. It was good to see music lovers back at festivals and clubs. And the best festive season present of all was the performance of Ethiopian legend Hailu Mergia and his trio at Studio Lam on Dec 21.
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Tunes for the chill season
Life, John Clewley, Published on 09/11/2022
» The music scene has been given a boost this year with the return of tourists and the reopening of entertainment venues. Festivals are returning to the provinces this month and the local circuits for rock and luk thung are back, too. The summer festival season in Europe, Japan and North America also returned and coincided with lots of summer and now winter music releases. The World Beat desk is groaning under the weight of new music.
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Nostalgia from Somalia
Life, John Clewley, Published on 25/10/2022
» Mogadishu in Somalia in the mid-1980s was a crossroads where Africa, Asia and Europe joined, where hotels like the Al-Uruba competed with other luxury venues to host some of the Indian Ocean's most potent popular music. Situated right on Lido beach, the distinctive Al-Uruba building with Arabic and Somali architectural influences had a little-known recording studio.
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House of the rising Son
Life, John Clewley, Published on 27/09/2022
» Son House is regarded as one of the greats of early blues, along with early recording stars like Charley Patton and Robert Johnson. He made 78rpm records in the 1930s but a spell in penitentiary halted his career and by the 1940s he had abandoned recording. It wasn't until 1964 that Nick Perls, Dick Waterman and Phil Spiro "rediscovered" him working at a gas station. He was completely unaware of the interest in folk blues at the time (Skip James and Bukka White were already playing crossover folk clubs).
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