Showing 1-10 of 22 results
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Art history
Life, Kaona Pongpipat, Published on 02/03/2017
» Montien Boonma, one of Thailand's most significant contemporary artists, died almost 17 years ago. The last time we had a proper glimpse of his art was in 2013 with "[Montien Boonma]: Unbuilt/Rare Works", a show by the Jim Thompson Art Centre and the Thai Art Archives in which his personal collection of documents, sketchbooks, notebooks, printed matter, photographs and video footage along with other related materials were put on display.
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The elephant in the room
Life, Kaona Pongpipat, Published on 17/11/2016
» Last weekend, Something Missing, a performance by South Korea's Theatre Momggol and B-Floor Theatre, which won Best Movement-based Performance from the International Association of Theatre Critics (Thailand Centre) last year, was back at Thong Lor Art Space for its second instalment, called The Rite Of Passage.
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Personal scars, political history
Life, Kaona Pongpipat, Published on 12/10/2016
» In "Under The Same Sky", the latest exhibition at Nova Contemporary by photographer Tada Hengsapkul and artist Chai Siris, personal history and that of the world entwine. In no way does the show appear to strive at having these narratives untangled.
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Bird on a wire
Muse, Kaona Pongpipat, Published on 16/01/2016
» Kawita Vatanajyankur feels like an outsider wherever she is. In Melbourne, where the 28-year-old artist spent a decade through high school and university, it wasn’t really home. Back in Bangkok for four years now, and she doesn’t feel Thai, either. Who she is as an artist and the person she is as she sits down for an interview are equally in a state of flux.
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Loud paintings
Life, Kaona Pongpipat, Published on 13/01/2016
» Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".
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A play with the audience
Life, Kaona Pongpipat, Published on 10/12/2015
» In the painting The Treachery Of Images by surrealist René Magritte, there is the text, "Ceci n'est pas une pipe". But in a new performance by B-Floor's co-artistic director Jarunun Phantachat, she calls it Ceci N'est Pas La Politique (This Is Not Politics). This may well be a treacherous title too, considering how politically outspoken B-Floor has been, with Manoland by Teerawat Mulvilai in October and other performances over the year.
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Picture of a genius
Life, Kaona Pongpipat, Published on 04/11/2015
» 'He was nothing else but just a painter," said Pablo Picasso's grandson Olivier Widmaier Picasso. It was only when Picasso died, in 1973, that he started to realise how important his grandfather was, not just to the art scene, but to the world.
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The shape-shifting form of protests
Life, Kaona Pongpipat, Published on 06/10/2015
» The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.
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The joke that isn't funny anymore
Life, Kaona Pongpipat, Published on 08/07/2015
» For quite a while I had managed to completely wipe Gen Prayut out of my mind. By turning off the familiar tune Return Happiness To Thailand as soon as it comes on, by ignoring the latest absurdities shared on Facebook and by not engaging in a conversation criticising our dear leader and the NCPO, it was a state of blissful apathy. Without news consumption, anger was starved and eventually died. As the state of calm ignorance shifted in, life was OK again.
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Exhibiting a love for his father
Life, Kaona Pongpipat, Published on 01/07/2015
» In a recommendation letter, Silpa Bhirasri, the father of Thai modern art, wrote: "He is a gifted art student. An artist who truly devotes himself to art and is perhaps the best Thai artist there is now." The student he referred to was the late Thai National Artist Fua Haripitak. That letter from the famed Italian sculptor who worked mainly in Thailand was the only thing Fua had to certify his gift, having had no education degree when he embarked upon his studies at the prestigious Accademia di Belle Arti di Roma in 1954.
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