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Showing 1-8 of 8 results
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Lessons in letters
Life, Kaona Pongpipat, Published on 14/10/2013
» Before receiving an official phone call from the judging committee or the competition organiser, Angkarn Chanthathip learned he had won this year's SEA Write Award from a post "some Facebook friend made". It wasn't on his Wall, but randomly in the Newsfeed _ perhaps the most un-poetic mode of modern communication.
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Splitting seems not all that shocking
Life, Kaona Pongpipat, Published on 22/04/2014
» When a banner bearing the message “This country has no justice. I want to split the country” was set up earlier this year across a pedestrian flyover in Phayao province in the North, I was shocked.
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Coming full circle
Life, Kaona Pongpipat, Published on 08/10/2014
» Running at Bangkok Art and Culture Centre (BACC) until the middle of next month, “Thai Charisma: Heritage + Creative Power” is a juxtaposition of museum-quality artefacts and contemporary works of art — the very old with the very new — which results in an experience that’s sometimes so overwhelming that it’s difficult to digest or even describe.
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Trainwreck from top to bottom
Life, Kaona Pongpipat, Published on 03/03/2015
» Perhaps what one remembers best about a third-class train ride in Thailand is the shower you take afterwards — the lumps of dust coming out of your nose, the grimy water running off your body and how washing your hair three times isn't enough to take the odour of metal away.
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Regional revolution
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
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Thais take the Lion City
Life, Kaona Pongpipat, Published on 03/02/2016
» Singapore's Art Week is over but it doesn't mean there aren't any good remnants left. The newly-opened National Gallery, for one, is hardly what one would call a remnant, with a comprehensive collection of works by Southeast Asian artists from the 19th century onwards which would take at least a day to completely take in. There are also, of course, a few major shows at the old military quarters-turned-art hub Gillman Barracks, such as Steve Mccurry's iconic photography show, Yinka Shonibare's new sculptures and Joan Jonas' acclaimed "They Come To Us Without A Word" exactly as seen in last year's Venice Biennale.
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Ratchaburi's roll of the dice
Life, Kaona Pongpipat, Published on 04/03/2016
» Almost five years ago the late writer and National Artist in literature Prabhassorn Sevikul wrote a short story. The text was not published on paper but painted along the bank of Mae Khlong river, and you had to walk the total of 3km to finish the story. The ephemeral aspect of this, along with 74 other artworks installed around Ratchaburi, featured in the first edition of the community-based "Art Normal" event.
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It's a whitewash!
Life, Kaona Pongpipat, Published on 31/08/2016
» Art Matters this month begins with words of congratulations to Speedy Grandma which just celebrated its fourth anniversary this past weekend. After closing down for several months because, according to co-founder Lee Anantawat, "we were just bored and tired", the gallery in Charoen Krung 28 is now back and it's just, well, as fun and slightly dingy as before.
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