Showing 1-10 of 16 results
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Pandora's paradox
Life, Kaona Pongpipat, Published on 19/06/2013
» This coming Monday, June 24, marks the 81st anniversary of the birth of democracy in Thailand. It's been a rough road we've taken since the 1932 Revolution, followed by subsequent coups and counter-coups, the decades of dictatorship, the student uprisings, the money politics and the complication of visible and invisible forces, right up to our deep divides of now. All of these are presented in an ambitious documentary film to be released on Monday. Prachathipathai, or Paradoxocracy, chronicles and comments on the eight-decade journey of Thai-style democracy whose past is sometimes forgotten and whose future is always uncertain.
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Lead the way, but leave us our opinions
Life, Kaona Pongpipat, Published on 05/11/2013
» When it comes to Thai politics, like many others, I feel lost and exhausted. There are people who are willing to forget the fact that they have known you all your life as soon as you have the slightest tendency to step to the other side. And there are those who look on you as if you're a coward when you just can't really say that you're one of them despite sharing certain beliefs.
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The means justify the end
Life, Kaona Pongpipat, Published on 10/12/2013
» Allow me to venture a thought we might have overlooked during the weeks-long fight between Suthep-led anti-Thaksin protests and Yingluck Shinawatra's government _ Thais are fighting over something that may become beautiful.
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The Cult: You're either in or out
Life, Kaona Pongpipat, Published on 30/10/2014
» The girls at Monte Cristo School are overly demure and respectful. The school's shrine has a spot for a picture of the country's leader to which students bow with deepest loyalty and gratitude when passing by. They're musically adept, but only with Thai tunes. (Western songs like those of The Beatles are strictly forbidden).
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Making connections, not cash
Life, Kaona Pongpipat, Published on 21/01/2015
» Artist Pisitakun Kuantalaeng, 28, was once a Yellow Shirt. In less than a decade, Pisitakun went from a fervent supporter of anti-Thaksin politics and airport seizures to an artist who took to the streets after the junta seized power last May.
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Stage whispers
Life, Kaona Pongpipat, Published on 27/05/2015
» The artistic career of Thanapol Virulhakul, director of the critically acclaimed contemporary dance performance Hipster The King, is a work-in-progress. It started out with a thesis project at Thammasat University's Faculty of Journalism and Mass Communication, in which he made Buddhist amulets out of chocolate, sold them on the street and filmed reactions of passers-by and amulet experts.
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Breaking the bloody iceberg
Life, Kaona Pongpipat, Published on 16/07/2015
» Teerawat Mulvilai knows he's being watched onstage. In his case specifically, it is with extreme scrutiny, a sense of wonder and perplexity. Standing very still seems just as significant as when he moves. He's done it many times before, namely in the first two instalments of his solo performance in Satapana (Establishment), which were Red Tank followed by Iceberg, last year.
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The shape-shifting form of protests
Life, Kaona Pongpipat, Published on 06/10/2015
» The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.
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Loud paintings
Life, Kaona Pongpipat, Published on 13/01/2016
» Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".
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Meet the new boss, same as the old boss
News, Kaona Pongpipat, Published on 25/02/2016
» I wonder if People's Democratic Reform Committee (PDRC) protesters must, in one way or another, take responsibility for where we are now as a country, nearly two years under the military regime. This is if you care to look at the situation, out of curiosity and an attempt at straightforward reasoning, rather than vengefulness.
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